| Title |
Author |
Date |
| Protected: Site Drawing: GPS on Architecture |
Anton Ripon |
Nov 26th 2024 |
| Protected: Drawing as Signature: Paul Rudolph and the Perspective Section |
Timothy M. Rohan |
Nov 26th 2024 |
| Protected: Montano – Don’t speak about me |
Cammy Brothers |
Nov 25th 2024 |
| Sol LeWitt: Non-visual Structures |
Lucy Lippard |
Nov 25th 2024 |
| JOSÉ OUBRERIE, IN MEMORIAM |
Luis Burriel Bielza |
Nov 21st 2024 |
| Protected: Notes on the Visionary Spaces exhibition, at the Belvedere 21 |
Emerald Wise |
Nov 19th 2024 |
| Cedric Price: Parc de la Villette |
Ana Bonet Miró |
Nov 18th 2024 |
| On origins and originality |
Niall Hobhouse |
Nov 15th 2024 |
| DMJ – Five Episodes from the History of Drawing Instruments |
Neil Bingham |
Nov 14th 2024 |
| Protected: Per Line’s Basement: An Archive between Sky and Sea |
Isabella Cederstrøm Palliotto |
Nov 13th 2024 |
| Protected: The Grandest Form: Architects on Instruction-Based Art |
Philip Schmerbeck |
Nov 13th 2024 |
| Fuglsang Kunstmuseum: Facts and interpretation in staging a museum |
Tony Fretton |
Nov 11th 2024 |
| PostDigital Collage: Naivety as an ideo-aesthetic technique |
Alejandro Carrasco Hidalgo |
Nov 7th 2024 |
| In the Archive: Riefenstahl, Hitler, Ebhardt, Sironi, Brasini |
Editors |
Nov 4th 2024 |
| OMA: Rem Koolhaas—Initiative |
Richard Hall |
Oct 31st 2024 |
| L’architecture des réalités mises en scene: (re)construire Disney |
Fabrizio Gallanti |
Oct 28th 2024 |
| DMJ – Devices of Dream-Like Precision: Tracing the Streets of Kyoto using Photogrammetry and Layered Drawing |
Sayan Skandarajah |
Oct 24th 2024 |
| Protected: Reading Between the Lines: The Language of Structural Engineers |
Gina Morrow |
Oct 23rd 2024 |
| Drawing Without Erasing |
Ricardo Flores |
Oct 21st 2024 |
| Luigi Moretti and Spazio: Structures and Sequences of Spaces |
Marco Vanucci |
Oct 17th 2024 |
| Goldfinger—Planning Your Neighbourhood |
Erin McKellar |
Oct 14th 2024 |
| Photo City: How Images Shape the Urban World |
Fabrizio Gallanti |
Oct 11th 2024 |
| Retreat and Commemoration: Heath’s Court, 1878–82 – Part 3 |
Nicholas Olsberg |
Oct 10th 2024 |
| Protected: Carcassonne and Viollet-le-Duc |
Henry James |
Oct 8th 2024 |
| Streetscapes: Bath |
Ptolemy Dean |
Oct 7th 2024 |
| Retreat and Commemoration: Heath’s Court, 1878–82 – Part 2 |
Nicholas Olsberg |
Oct 3rd 2024 |
| OMA: Collaborators—Allies |
Richard Hall |
Sep 30th 2024 |
| 2024 Architecture Summer School: Translations between drawings and models |
Jesper Authen and Matt Page |
Sep 27th 2024 |
| Luigi Moretti and Spazio: Abstract Forms of Baroque Sculpture |
Marco Vanucci |
Sep 26th 2024 |
| Retreat and Commemoration: Heath’s Court, 1878–82 – Part 1 |
Nicholas Olsberg |
Sep 23rd 2024 |
| Protected: Ian Hamilton Finlay at Drawing Matter |
Matt Page |
Sep 20th 2024 |
| Notes on Nabokov |
Michael Becker |
Sep 19th 2024 |
| A Poetic Peak: Architecture and planning at the AA in the 1930s |
Editors and John Summerson |
Sep 16th 2024 |
| Claude Parent at Drawing Matter |
Editors and Chloé Parent |
Sep 12th 2024 |
| DMJ – Sir John Soane’s Office |
Helen Dorey |
Sep 9th 2024 |
| Notes on the 2024 Architecture Summer School |
Editors |
Sep 6th 2024 |
| Suddenly This View |
Drawing Architecture Studio |
Sep 5th 2024 |
| Wolkenbügel: El Lissitzky as Architect |
Richard Anderson and Markus Lähteenmäki |
Sep 2nd 2024 |
| OMA: Big Competitions—Reorienting the Modern Project |
Richard Hall |
Aug 29th 2024 |
| Fabric Object: Diana Agrest and Mario Gandelsonas |
Erin Besler, Marshall Brown, Sylvia Lavin and Michael Meredith |
Aug 26th 2024 |
| A Missing Drawing |
John Evelyn |
Aug 22nd 2024 |
| Seeing Fire | Seeing Meadows |
Holger Kleine and Anna Kostreva |
Aug 19th 2024 |
| Seven Facets of Architectural Disegno |
Cara Rachele |
Aug 16th 2024 |
| Drawings as Cosmovisions |
Fernanda Canales |
Aug 12th 2024 |
| The Future of the Past: The ‘Round Church’, Cambridge |
Nikolaus Pevsner |
Aug 9th 2024 |
| Resistance and the ‘Architecture of Pessimism’: John Hejduk’s House for the Inhabitant who Refused to Participate |
Anna Kostreva |
Aug 5th 2024 |
| DMJ – Brunel’s camera lucida |
Philip Steadman |
Aug 1st 2024 |
| Luigi Moretti and Spazio: Eclecticism and Unity of Language |
Marco Vanucci |
Jul 31st 2024 |
| Adolfo Natalini with Superstudio at Drawing Matter |
James Dunbar and Editors |
Jul 29th 2024 |
| In the Archive: New and Found 4 |
Editors |
Jul 26th 2024 |
| Fabric Object: Diana Agrest and Mario Gandelsonas |
Darell Wayne Fields, Anda French, Tessa Kelly, Paul Lewis and Michael Meredith |
Jul 25th 2024 |
| Peter Wilson and Mark Dorrian in conversation – Part 2 |
Mark Dorrian and Peter Wilson |
Jul 22nd 2024 |
| Object of Desire — Haff Cross-Hatch Machine |
Jeremy Peacock |
Jul 18th 2024 |
| Watchful Solitude: John Hejduk and Venice |
Marina Correia |
Jul 15th 2024 |
| Relics of Electronic Hallucinations |
Uri Wegman |
Jul 11th 2024 |
| Manufacturers Trust Bank |
Janet Parks |
Jul 9th 2024 |
| Gavin Stamp: Interwar, British Architecture 1919-1939 |
Otto Saumarez Smith |
Jul 8th 2024 |
| Sydney’s Infill Facades |
Ellie Skinner |
Jul 5th 2024 |
| Shatwell Farm: Covering over, bagging up, tying down |
Emily Priest |
Jul 1st 2024 |
| OMA: Rotterdam—Child’s Crusade |
Richard Hall |
Jun 28th 2024 |
| Fabric Object: Diana Agrest and Mario Gandelsonas |
Stan Allen, Beatriz Colomina, Michael Meredith, Jesse Reiser and Mark Wigley |
Jun 27th 2024 |
| Frank Lloyd Wright at Drawing Matter |
Editors and Nicholas Olsberg |
Jun 25th 2024 |
| Peter Wilson and Mark Dorrian in conversation – Part 1 |
Mark Dorrian and Peter Wilson |
Jun 20th 2024 |
| Protected: A Will to the City |
Lars Lerup |
Jun 19th 2024 |
| The Poetry of Concrete |
Lina Bo Bardi |
Jun 17th 2024 |
| On the Street |
Edwin Heathcote |
Jun 14th 2024 |
| Lapo Binazzi: Casa a Diacceto |
Beatrice Lampariello |
Jun 10th 2024 |
| DMJ – Burning Drawing |
Paddi Alice Benson |
Jun 6th 2024 |
| The GSD Sketching Group and the Call for Sketchbooks Exhibition |
Juan Fernández González |
Jun 3rd 2024 |
| OMA: Elia Zenghelis—Watersheds |
Richard Hall |
May 31st 2024 |
| Begin again. Fail Better: Pichler and Hollein |
Matt Page |
May 29th 2024 |
| Louis-Hippolyte Lebas at Drawing Matter |
Editors and Nicholas Olsberg |
May 27th 2024 |
| Notes from Rome |
Anna Kostreva and Diane Lewis |
May 23rd 2024 |
| Peter Wilson in the Empire of Signs |
Mark Dorrian |
May 22nd 2024 |
| Architectural models and the oriental ideal of the Alhambra |
Asun González Pérez |
May 20th 2024 |
| O.M. Ungers: Drawing a metaphor |
Diogo Lopes and Fanny Noël |
May 17th 2024 |
| John Hejduk’s Farm Library |
Mehrshad Atashi and Lida Badafareh |
May 15th 2024 |
| Banham in Buffalo |
Brian Carter |
May 13th 2024 |
| Hermann Czech: Approximate Line of Action |
Mikael Bergquist |
May 9th 2024 |
| DMJ – Instruments of Uncertain Occupation |
Nat Chard |
May 8th 2024 |
| Giuseppe Terragni’s Primordial Architecture |
Valerio Paolo Mosco |
May 6th 2024 |
| In the Archive: New and Found 3 |
Editors |
May 3rd 2024 |
| The Well-Constructed Joke: Comic Architecture |
Holger Kleine |
May 1st 2024 |
| Sugimoto and Architecture |
Hiroshi Sugimoto |
Apr 29th 2024 |
| Sugimoto and Architecture: A Conversation between David Chipperfield and Ralph Rugoff |
David Chipperfield and Ralph Rugoff |
Apr 29th 2024 |
| James Stirling, and the Industrialization of Architecture? |
Lok-Kan Chau |
Apr 26th 2024 |
| A Bath for Immortality |
Clara Maria Puglisi |
Apr 24th 2024 |
| Hans Hollein at Drawing Matter |
Editors and Nicholas Olsberg |
Apr 23rd 2024 |
| Constant’s Ladders as Mythic Entity |
Alison Bartlett |
Apr 22nd 2024 |
| OMA: London—Foreplay |
Richard Hall |
Apr 19th 2024 |
| Mies van der Rohe: Clarity as the Aim |
Carlos Martí Arís |
Apr 17th 2024 |
| Design Drawings Damage Atlas (2023) |
Neil Bingham |
Apr 15th 2024 |
| Helsinki City Theatre: Timo Penttilä on the real purpose of drawings |
Gareth Griffiths |
Apr 12th 2024 |
| DMJ – Enzo Mari, Formazione Dinamica di una Sfera Reticolata |
Rosie Ellison-Balaam |
Apr 10th 2024 |
| Shatwell Farm: Appendages |
Emily Priest |
Apr 8th 2024 |
| C.S. Peach and the Cruciform Design of the Cathedral |
C.M. Howell |
Apr 5th 2024 |
| Trevor Dannatt: St Mary’s Grove — Through the Door |
Adrian Dannatt |
Apr 3rd 2024 |
| Erik Gunnar Asplund at Drawing Matter |
Editors and Nicholas Olsberg |
Apr 2nd 2024 |
| The Captive Globe |
Reinier de Graaf |
Mar 28th 2024 |
| Masterplanning the University of London |
Bill Sherman |
Mar 27th 2024 |
| Branzi, Observed: Autocatalytic, Earnestly Jaded |
Julian Escudero Geltman |
Mar 25th 2024 |
| Helmut Jacoby: The Amon Carter Museum |
Malcolm Reading |
Mar 22nd 2024 |
| DMJ – The Sun as Drawing Machine: Towards the Unification of Projection Systems from Villalpando to Farish |
Francisco Javier Girón Sierra |
Mar 20th 2024 |
| Connor Street: Made by Many Hands |
Kieran Hawkins |
Mar 18th 2024 |
| The Animated Wall: A Fragile Vigour |
Saar Meganck |
Mar 14th 2024 |
| DMJ – Template and Talisman |
Laura Harty |
Mar 13th 2024 |
| Shatwell Farm: Sheds and Silos |
Emily Priest |
Mar 11th 2024 |
| Geoffrey Bawa: Drawing from the Archives (2023) — Review |
Kathleen James-Chakraborty |
Mar 8th 2024 |
| Artful Trades: Into a Market of Consumables |
Sarah Hearne |
Mar 6th 2024 |
| Nobuo Sekine: The Weight of Things |
Nanase Shirokawa |
Mar 4th 2024 |
| Unveiling the Enigma: Jan Henriksson’s Örebro Riksbank, 1987. |
Felicia Liang and William Wikström |
Feb 29th 2024 |
| Where to Find a Drawing of a Swiss Gold Vault |
Ludo Groen |
Feb 28th 2024 |
| Tim Robinson: Deep Mapping |
Tom Cookson |
Feb 26th 2024 |
| Reality Modeled After Images: Architecture and Aesthetics after the Digital Image (2022) — Review |
Liam Ross |
Feb 24th 2024 |
| Houses for Printing: A Microcosm of the World |
Sarah Hearne |
Feb 21st 2024 |
| Shatwell Farm: Cars |
Emily Priest |
Feb 19th 2024 |
| Ludwig Wittgenstein (and Gustav III of Sweden), designing gardens |
Tim Richardson |
Feb 15th 2024 |
| DMJ – Grids and Squared Paper in Renaissance Architecture |
Fabio Colonnese |
Feb 14th 2024 |
| Connor Street: Made by Many Hands |
Kieran Hawkins |
Feb 12th 2024 |
| Giuliano Fiorenzoli: Because of Seeing Architecture (2023) – Review |
Stan Allen |
Feb 8th 2024 |
| Architectural Covers: A Site of Design |
Sarah Hearne |
Feb 7th 2024 |
| In the Archive: Alejandro Carrasco Hidalgo |
Alejandro Carrasco Hidalgo |
Feb 5th 2024 |
| Charles Holden: A new campus for Bloomsbury |
Bill Sherman and Richard Temple |
Feb 2nd 2024 |
| Simon Fraser University |
Arthur Erickson |
Feb 1st 2024 |
| Careful Crudeness |
Karen Olesen |
Jan 31st 2024 |
| Landing Square Scenarios: The Wilhelmina Pier & Luxor Theatre |
Peter Wilson |
Jan 29th 2024 |
| The Religious Architecture of Alvar, Aino and Elissa Aalto (2023) — Review |
C.M. Howell |
Jan 26th 2024 |
| Josep Maria Jujol: Ribbons with streamers everywhere |
Juan Mercadé Brulles, Jesús Esquinas-Dessy and Isabel Zaragoza |
Jan 25th 2024 |
| DMJ – Pencils, Computers, Cameras |
Ahmed Belkhodja |
Jan 19th 2024 |
| Visualizing the Renaissance Worksite and the problems of graphic translation |
Jarne Geenens and Elizabeth Merrill |
Jan 17th 2024 |
| Connor Street: Made by Many Hands |
Kieran Hawkins |
Jan 15th 2024 |
| Return to the Archive |
Hans-Dieter Nägelke |
Jan 12th 2024 |
| Aqueduct of Malagueira—Complexity or Contradiction |
Rodrigo Lino Gaspar |
Jan 10th 2024 |
| Glarner Wirtschaftsarchiv |
Helen Thomas |
Jan 8th 2024 |
| Schmitz and Drévet: The Egyptian Pavilions at the 1867 ‘Exposition Universelle’ |
Anja Segmüller |
Dec 15th 2023 |
| Alberto Ponis, The London Years |
Gillian Darley |
Dec 14th 2023 |
| DMJ – Canaletto’s Venetian Sketches and the Camera Obscura |
Philip Steadman |
Dec 13th 2023 |
| The Polyhedrists (2022) – Review |
Rosie Ellison-Balaam |
Dec 8th 2023 |
| DMJ – The Stereoautograph |
Pablo Garcia |
Dec 6th 2023 |
| Connor Street: Made by Many Hands |
Kieran Hawkins |
Dec 4th 2023 |
| On Drawing |
Raimund Abraham |
Nov 30th 2023 |
| Mapping Cities: Barcelona and Paris |
Dibujantes CNT and Grand Marnier |
Nov 29th 2023 |
| Guy Debord—An Art of War |
Laurence Le Bras and Emmanuel Guy |
Nov 29th 2023 |
| Baron Ferdinand de Rothschild at Waddesdon |
Baron Ferdinand de Rothschild |
Nov 24th 2023 |
| The ‘indispensable ingredients of sublimity’: Smirke and Papworth’s Designs for the Wellington Testimonial |
Colum O'Riordan |
Nov 20th 2023 |
| Trevor Dannatt: St Mary’s Grove — I’m going to get medieval on your ass! |
Adrian Dannatt |
Nov 16th 2023 |
| Heinz Isler: Natural Hills on Different Edge Lines |
John Chilton |
Nov 14th 2023 |
| The Renewal of Dwelling (2023) – Review |
Rodrigo Lino Gaspar |
Nov 13th 2023 |
| Protected: Emerging Ecologies: O.M. Ungers |
|
Nov 9th 2023 |
| The Manufacture of architecture: Joseph Paxton and the development of the Great Stove |
Hugh Strange |
Nov 9th 2023 |
| Fragments of a Polychrome Mosaic of a Roman Bath Building |
Konogan Beaufay |
Nov 8th 2023 |
| Quantum Collecting: A Few Principles and Mechanisms for the Acquisition of Architectural Drawings |
Niall Hobhouse and Matt Page |
Nov 6th 2023 |
| Connor Street: Made by Many Hands |
Kieran Hawkins |
Nov 3rd 2023 |
| Drawing Research Platform, Somerset, 2023, ENAC Summer Workshop |
Alberto Johnsson, Arthur Masure, Daniel Nitsche, Toby Pullen and Alexander Turner |
Nov 1st 2023 |
| Raffaello. Nato architetto (2023) – Review |
Dario Donetti |
Oct 30th 2023 |
| Keep digging and you will find what you are looking for: Alvar Aalto in Germany |
Sofia Singler |
Oct 27th 2023 |
| DMJ – Drawing Instruments from Sir John Soane’s Office |
Sue Palmer |
Oct 25th 2023 |
| Repton does a Bernini – A crescent for The Ham |
Timothy Mowl |
Oct 24th 2023 |
| Upper Lawn Pavilion: Strategy and Detail, Drawing / Feeling everything at once |
Stephen Bates |
Oct 20th 2023 |
| Remembering Architecture |
Fraser Stables |
Oct 18th 2023 |
| Owen Jones and the V&A (2023) and Style and Solitude (2023) – Review |
Adrian Forty |
Oct 17th 2023 |
| Fragmentary Notes on Unclaiming the Life of a Drawing |
Bahar Avanoğlu |
Oct 13th 2023 |
| Judit Reigl: Invisible Cities |
Janos Gat |
Oct 10th 2023 |
| Gothic Put to Use: The Viollet-le-Duc Album |
Martin Bressani |
Oct 6th 2023 |
| François Cointeraux: the Architect of the ‘Agricultural Proletariat’ |
Anja Segmüller |
Oct 5th 2023 |
| DMJ — Of Lines Terrestrial and Occult: Friedrich Gilly, Alberto Sartoris, Adolphe Appia, and the Matter of Perspective |
Ross Anderson |
Oct 2nd 2023 |
| Portals: The Visionary Architecture of Paul Goesch (2023) – Review |
Stan Allen |
Sep 29th 2023 |
| Gathered Moments: Asplund’s Villa Snellman |
Andrew Carr |
Sep 28th 2023 |
| Hans Hollein & Spiritual Expression in Architecture |
C.M. Howell |
Sep 22nd 2023 |
| Work with your hands: AUB Summer School 2023 |
Timothy Christian Murphy |
Sep 21st 2023 |
| Trevor Dannatt: St Mary’s Grove — Garage door trio |
Adrian Dannatt |
Sep 18th 2023 |
| Elbe and Marte |
Karen Lohrmann and Stefano de Martino |
Sep 13th 2023 |
| Architecture and Real Abstraction: Adler & Sullivan |
Francesco Marullo |
Sep 12th 2023 |
| Jérôme-Charles Bellicard: Metamorphoses |
Janine Barrier |
Sep 8th 2023 |
| Fraser Stables: Remembering Architecture |
Matt Page |
Sep 6th 2023 |
| Designs on Democracy (2022) – Review |
Ellis Woodman |
Sep 5th 2023 |
| Denise Scott Brown ‘From Soane to the Strip’ |
Denise Scott Brown |
Sep 1st 2023 |
| Alberto Ponis: Drawing Landscape |
Team SHICHAI拾柴 |
Aug 30th 2023 |
| Trevor Dannatt: St Mary’s Grove — Hook & Extension |
Adrian Dannatt |
Aug 28th 2023 |
| Comins x Shatwell Tea House |
Various |
Aug 25th 2023 |
| Capilla Pajaritos |
Alberto Cruz |
Aug 24th 2023 |
| Diplomatics and Instrumentality of the Drawing / William Butterfield |
Nicholas Olsberg |
Aug 21st 2023 |
| DMJ – The Art of Measuring Images: Albrecht Meydenbauer and the Invention of the Photographic Survey |
Emma Letizia Jones |
Aug 18th 2023 |
| Thinking Through Twentieth-Century Architecture (2023) – Review |
André Patrão |
Aug 17th 2023 |
| Chloethiel Woodard Smith |
Kathleen James-Chakraborty |
Aug 16th 2023 |
| I AND WE |
Richard Hall |
Aug 16th 2023 |
| Poetry and Architecture (2023) — Review |
Peter Carl |
Aug 11th 2023 |
| Quinta da Malagueira |
Pier Vittorio Aureli |
Aug 11th 2023 |
| Alberto Ponis: Casa Scalesciani |
Team SHICHAI拾柴 |
Aug 9th 2023 |
| Patrick Gwynne: Colour by Numbers |
Neil Bingham |
Aug 7th 2023 |
| A Gentler Giant |
Leif Findlay |
Aug 2nd 2023 |
| Frank Lloyd Wright: Memorial to the Soil |
David G. De Long |
Jul 31st 2023 |
| Trevor Dannatt: St Mary’s Grove — Stone Head & Slab |
Adrian Dannatt |
Jul 26th 2023 |
| Denise Scott Brown. In Other Eyes: Portraits of an Architect (2022) – Review |
Mark Pimlott |
Jul 24th 2023 |
| Sant’Elia and Global Futurist Architecture |
Filippo Tommaso Marinetti |
Jul 21st 2023 |
| What does a drawing sound like? |
Brian Carter |
Jul 20th 2023 |
| Protected: Frank Lloyd Wright in London |
|
Jul 19th 2023 |
| The Palace of Dawn and Dusk / Palacio del Alba y del Ocaso |
Alberto Cruz |
Jul 17th 2023 |
| Drawing Exercises: Design Process |
Matt Page and Fernando Poeiras |
Jul 14th 2023 |
| Drawing Exercises: Creativity |
Matt Page and Fernando Poeiras |
Jul 12th 2023 |
| Alberto Ponis: Pathways |
Team SHICHAI拾柴 |
Jul 12th 2023 |
| Learning From Machine Learning, on designer trees and architectural historiographies of the digital |
Sylvia Lavin |
Jul 11th 2023 |
| William Butterfield: Forms and Transformations |
Nicholas Olsberg |
Jul 10th 2023 |
| Building as Drawing: the Cowshed (2021) at Shatwell Farm |
Helen Thomas |
Jul 7th 2023 |
| A Christmas Card from Ralph Erskine |
Nicholas Ray |
Jul 6th 2023 |
| Instagram, Indifference, and Postcritique in US Architectural Discourse |
Joseph Bedford |
Jul 5th 2023 |
| Trevor Dannatt: St Mary’s Grove — House Number & Gate |
Adrian Dannatt |
Jul 4th 2023 |
| John Hejduk’s Bye House: An Object in the Landscape |
Stan Allen and Marina Correia |
Jun 29th 2023 |
| Alberto Ponis: Studio di Yasmin |
Team SHICHAI拾柴 |
Jun 23rd 2023 |
| Material Reform, Building for a Post-Carbon Future (2023) – Review |
Elke Krasny |
Jun 23rd 2023 |
| Álvaro Siza: A Vertical Dream |
António Choupina and Álvaro Siza |
Jun 21st 2023 |
| Casa Ugalde Sketch |
Laura Bonell and Daniel Lopez-Doriga |
Jun 19th 2023 |
| Modelling the Metropolis: The Architectural Model in Victorian London (2023) – Review |
Andrew Saint |
Jun 15th 2023 |
| Drawing as Preservation |
Lisa Huang |
Jun 14th 2023 |
| Trevor Dannatt: St Mary’s Grove — Gap and Sign |
Adrian Dannatt |
Jun 13th 2023 |
| Hardman & Co. |
Sarah James |
Jun 9th 2023 |
| Through a Glass Darkly |
Niall Hobhouse |
Jun 6th 2023 |
| Leonora Oppenheim: Shatwell Edition Print |
|
Jun 5th 2023 |
| The First Exercise, One Door and One Window |
Tania Garduño Israde |
Jun 1st 2023 |
| ‘A free composition of bodies’: the Härlanda Church |
Peter Celsing |
May 30th 2023 |
| Nuno Melo Sousa: weight |
Nuno Melo Sousa |
May 26th 2023 |
| Nuno Melo Sousa: on big papers |
Nuno Melo Sousa |
May 26th 2023 |
| Nuno Melo Sousa: on small papers |
Nuno Melo Sousa |
May 26th 2023 |
| Nuno Melo Sousa: on walls |
Nuno Melo Sousa |
May 26th 2023 |
| Nuno Melo Sousa: authority |
Nuno Melo Sousa |
May 26th 2023 |
| On Authority |
Nuno Melo Sousa |
May 26th 2023 |
| Architectural manuals and Pacific speculations |
Sarah Treadwell |
May 23rd 2023 |
| Sverre Fehn and the Territorial Eye |
Erika Brandl |
May 18th 2023 |
| Architects at Play (2023) – Review |
Mathilde de Laage |
May 15th 2023 |
| Bruno Taut’s ‘Alpine Architektur’ |
Iain Boyd Whyte |
May 12th 2023 |
| DMJ – From Hearths to Volcanoes: the Armenian glkhatun |
Guillaume Othenin-Girard |
May 9th 2023 |
| Futures of the Architectural Exhibition (2023) – Review |
Paul Mosley |
May 5th 2023 |
| Drawing Programme: A Drawing Matter Workshop |
Niall Hobhouse, Manuel Montenegro and Amy Teh |
May 2nd 2023 |
| DMJ 1 – The Geological Imagination |
Mark Dorrian and Kurt Forster |
Apr 28th 2023 |
| Accademia Bridge Proposals: Venice Biennale 1985 |
Editors |
Apr 28th 2023 |
| Peter Wilson: Ponte dell’Accademia |
Adrian Hawker |
Apr 26th 2023 |
| Nuno Melo Sousa: in cahiers |
Nuno Melo Sousa |
Apr 25th 2023 |
| T.O.P. Office and the Accademia Bridge |
Luc Deleu |
Apr 24th 2023 |
| Archive Politics |
Pedro Baía and Carlos Machado e Moura |
Apr 21st 2023 |
| Materia 5: Timber |
Gordon Shrigley |
Apr 18th 2023 |
| Drawing Architecture: Conversations on Contemporary Practice (2022) – Review |
Emilie Appercé |
Apr 14th 2023 |
| Avant-Garde as Method, Vkhutemas and the Pedagogy of Space, 1920 – 1930 (2020) – Review |
Peter Carl |
Apr 12th 2023 |
| The City in Dispute (2023) – Review |
Aureli Mora |
Apr 10th 2023 |
| Abelardo Morell |
Rebecca Connor Reading |
Apr 6th 2023 |
| Aldo Rossi: ‘Shards’ and Smooth Surfaces for an Architecture of Longue Durée |
Beatrice Lampariello |
Apr 3rd 2023 |
| MJ Long’s Doll House |
Elena Palacios Carral |
Mar 31st 2023 |
| Drawing Construction: A Drawing Matter Workshop |
Niall Hobhouse, Manuel Montenegro and Amy Teh |
Mar 29th 2023 |
| Álvaro Siza — An ‘Amoral’ Architect |
Eduardo Souto de Moura |
Mar 27th 2023 |
| Richard Neutra’s Corona Avenue School |
Nicholas Olsberg |
Mar 22nd 2023 |
| Vitruvius Without Text (2022) – Review |
Helen Thomas |
Mar 20th 2023 |
| Nancy Goldring: Drawings and Foto-Projections |
Leann Davis Alspaugh and Nancy Goldring |
Mar 17th 2023 |
| Protected: Collection News: Binazzi and UFO, Burton, Gounod, Siza, Visconti and more |
Editors |
Mar 13th 2023 |
| Construct |
Richard Hall |
Mar 13th 2023 |
| Ghost Parking Lot |
James Wines |
Mar 10th 2023 |
| Drawing Sites: A Drawing Matter Workshop |
Niall Hobhouse, Manuel Montenegro and Amy Teh |
Mar 8th 2023 |
| Homegrown: Building a Post-Carbon Future (2023) – review |
Rosie Ellison-Balaam |
Mar 6th 2023 |
| DMJ – Asphalt Tales and the Ends of History |
Nicholas Boyarsky |
Mar 3rd 2023 |
| DMJ – Shallow Cuts: the geological sectioning of Newcastle, NSW |
Michael Chapman |
Mar 3rd 2023 |
| Geography of Hope: Hans Hollein and John Hejduk |
Nicholas Olsberg |
Mar 1st 2023 |
| Ila Bêka & Louise Lemoine on the Moriyama House |
What is a House For and Bêka & Lemoine |
Feb 28th 2023 |
| Alison and Peter Smithson’s Collages as Reinventing Established Reality |
Marianna Charitonidou |
Feb 24th 2023 |
| Caruso St John Collected Works: Volume 1, 1990 – 2005 – Review |
Sofie De Caigny |
Feb 21st 2023 |
| About Malagueira: Siza’s Poem on Page 27 of Sketchbook 01 |
Rodrigo Lino Gaspar |
Feb 20th 2023 |
| Geography of Hope: Bruce Goff |
Nicholas Olsberg |
Feb 17th 2023 |
| In the Archive: de la Fuente, Unknown, OMA, Ellwood and Ponis |
Sarah Hearne |
Feb 15th 2023 |
| Porto: Paving Work on Rua de António Sardinha |
Ivo Martins |
Feb 14th 2023 |
| Aldo Rossi: Transforming Artefacts into Objects of Affection |
Marianna Charitonidou |
Feb 13th 2023 |
| Architecture in Archives: The Collection of the Akademie der Künste (2016) – Review |
Irina Davidovici |
Feb 10th 2023 |
| Emilio Ambasz’s ‘Italy, The New Domestic Landscape’ (1972) |
Editors |
Feb 9th 2023 |
| Pier Vittorio Aureli: Ambiguous Drawings |
Paco Alfaro Anguita |
Feb 7th 2023 |
| Letter of Authorisation to Discuss Late Ottoman Archive Drawings as Operational Images |
Ecem Arslanay and Mina Gürsel Tabanlıoğlu |
Feb 6th 2023 |
| W. R. Lethaby: Philip Webb and His Work |
Hugh Strange |
Feb 3rd 2023 |
| Le Corbusier: The ‘Open hand’ as an expression of freedom? |
Marianna Charitonidou |
Feb 2nd 2023 |
| Geography of Hope: John Lautner |
Nicholas Olsberg |
Jan 31st 2023 |
| Forecast and Fantasy: Architecture without Borders 1960s to 1980s – Review |
Markus Lähteenmäki |
Jan 30th 2023 |
| Shed for Carolyn |
George Gibbs |
Jan 26th 2023 |
| Neighbours in Space and Time: Grafton Architects at the Soane Museum – Review |
Simon Henley |
Jan 25th 2023 |
| Historic England Image Archive |
Arthur Prior-Palmer |
Jan 23rd 2023 |
| Grotto-Heavens: Rockeries, Dreamscapes and the Chinese Garden |
Ethan Loo |
Jan 20th 2023 |
| DMJ – Dialogues between Architecture And Granite in Punta Sardegna |
Alberto Ponis |
Jan 20th 2023 |
| Geography of Hope: Adolfo Natalini and Superstudio |
Nicholas Olsberg |
Jan 18th 2023 |
| Robert Bray: Design for a Playboy Duplex Penthouse, 1970 |
Philippa Lewis |
Jan 17th 2023 |
| The Sasada Lab |
Felix Wilson |
Jan 16th 2023 |
| W. R. Lethaby: Apprenticeship and Education |
Hugh Strange |
Jan 13th 2023 |
| The ESB’s New Clothes |
Colum O'Riordan |
Jan 12th 2023 |
| Materia 4: Brick |
Gordon Shrigley |
Jan 10th 2023 |
| The City of Design |
Emilio Ambasz |
Jan 9th 2023 |
| The Wessex Project: Thomas Hardy, Architect: Part III |
Kester Rattenbury |
Jan 6th 2023 |
| The Work of Ernest and Esther Born: World’s Fair |
Nicholas Olsberg |
Jan 5th 2023 |
| Owen Luder: Practice at Work |
Kate Wharton |
Jan 3rd 2023 |
| The Wessex Project: Thomas Hardy, Architect: Part II |
Kester Rattenbury |
Dec 21st 2022 |
| Drawing for James Stirling |
Walter Nageli |
Dec 20th 2022 |
| fala: butterflies |
fala |
Dec 19th 2022 |
| The Garden Transcripts |
Eleanor Evason |
Dec 16th 2022 |
| Beverly Buchanan: here I am; I’m still here |
Clara Maria Blasius |
Dec 15th 2022 |
| fala: photography |
fala |
Dec 13th 2022 |
| The Wessex Project: Thomas Hardy, Architect: Part I |
Kester Rattenbury |
Dec 12th 2022 |
| DMJ – The Sound of Magma: Geographies of Infrasound, Vibrating Bodies, and Representing the Earth |
Adam Bobbette |
Dec 9th 2022 |
| DMJ – ‘All the varieties of Nature’s works under ground’: the Geological Imagination of Alexander Pope |
Yue Zhuang |
Dec 9th 2022 |
| Useless Terrain: The Ballynagrenia and Ballinderry Bog |
Joseph Heffernan |
Dec 7th 2022 |
| Johan Celsing Buildings Texts (2021) – Review |
Nina Lundvall |
Dec 6th 2022 |
| Alberto Cruz: Observation, Act, Form – Review |
Matt Page |
Dec 2nd 2022 |
| Open Letters: Harvard GSD |
Paul Mosley |
Dec 2nd 2022 |
| Gothic Sublime |
Sonny Evans |
Dec 1st 2022 |
| Oscar Niemeyer’s Cathedral in Brasília |
Ciro Miguel |
Nov 30th 2022 |
| W. R. Lethaby: The Church of Sancta Sophia, Constantinople |
Hugh Strange |
Nov 28th 2022 |
| fala: collages |
fala |
Nov 25th 2022 |
| The Routledge Companion to Architectural Drawings and Models (2021) – Review |
Desley Luscombe |
Nov 24th 2022 |
| The Usonia Plot at Pleasantville |
Editors |
Nov 23rd 2022 |
| Joan Littlewood’s Memos to Cedric Price |
Ana Bonet Miró |
Nov 21st 2022 |
| The Work of Ernest and Esther Born: Models for the City House |
Nicholas Olsberg |
Nov 18th 2022 |
| From Afar |
Ajna Babahmetovic |
Nov 17th 2022 |
| DMJ – Borromini’s Smudge |
Jonathan Foote |
Nov 15th 2022 |
| DMJ – From Landscape to Mapscape: Robert Smithson’s Maps |
Bernhard Siegert |
Nov 15th 2022 |
| The Project of Independence: Architectures of Decolonization in South Asia, 1947-1985 (2022) – Review |
Esra Akcan |
Nov 10th 2022 |
| fala: execution drawings |
fala |
Nov 7th 2022 |
| Queensway, Hong Kong |
Sony Devabhaktuni |
Nov 4th 2022 |
| Heinz Isler Model |
John Chilton and Paul Shepherd |
Nov 2nd 2022 |
| Sweet Disorder and the Carefully Careless: Ideas, Faces and Places (2022) – review |
Eric Parry and Robin Webster |
Oct 31st 2022 |
| fala: renders |
fala |
Oct 28th 2022 |
| Drawing Conversations: Letters to Clients |
Paul Clarke |
Oct 26th 2022 |
| W. R. Lethaby: The Builder’s Art and the Craftsman |
Hugh Strange |
Oct 24th 2022 |
| How Big is Big – Does Scale Matter? A Reflection on Scale in Architecture and Drawing |
Federica Goffi and Devon Moar |
Oct 21st 2022 |
| Vilanova Artigas: Drawing Models – Review |
Laura Evans |
Oct 20th 2022 |
| ‘Then There Was War’: John Hejduk’s Silent Witnesses as Nuclear Criticism |
Mark Dorrian |
Oct 19th 2022 |
| fala: wireframes |
fala |
Oct 17th 2022 |
| Stendhal’s Autobiography: La Vie de Henri Brulard |
Christopher Woodward |
Oct 14th 2022 |
| Two Way Traffic: Japanese Woodblock Prints |
Alex Faulkner |
Oct 12th 2022 |
| Missing Link: Strategies of a Viennese Architecture Group (1970-1980) – Review |
Erik Wegerhoff |
Oct 10th 2022 |
| Fronts and Faces |
Lera Samovich |
Oct 7th 2022 |
| Roger Katan and Forum |
Sarah Handelman |
Oct 5th 2022 |
| In the Archive: Petit, Lebas, Fontaine, Le Corbusier and Kolář |
Raphael Haque |
Oct 4th 2022 |
| fala: comprehensive |
fala |
Oct 3rd 2022 |
| Materia 3: Red Oxide |
Gordon Shrigley |
Sep 30th 2022 |
| Kay Fisker: Danish Functionalism and Block-based Housing (2022) – Review |
Mark Pimlott |
Sep 29th 2022 |
| Superstudio’s Collage Chest: A Chance Machine |
Jonah Ginsburg |
Sep 26th 2022 |
| Robert Maxwell: The Letter, the Lost Sketchbook and the Lecture |
Editors |
Sep 23rd 2022 |
| Where in the World are We? Melbourne Venice Studios 2022 |
Peter Wilson |
Sep 22nd 2022 |
| fala: the single line |
fala |
Sep 19th 2022 |
| After the Revolution: Dugourc in Spain |
Iris Moon |
Sep 16th 2022 |
| Dugourc’s Playing Cards |
Iris Moon |
Sep 14th 2022 |
| Ulmer House Extension Proposal: Baumschlager & Eberle |
Francesco Paini |
Sep 12th 2022 |
| Aldo Rossi: Dieses Ist Lange Her/ora Questo e Perduto |
Jaime Tillería Durango |
Sep 9th 2022 |
| Krier/Culot: Architecture, language and process (1977) |
Robert Maxwell |
Sep 7th 2022 |
| Lenin’s Tomb, the Second Version |
Niall Hobhouse and Markus Lähteenmäki |
Sep 5th 2022 |
| Gurdwara |
Ekam Singh |
Sep 1st 2022 |
| Mies van der Rohe and the Universal Space Project |
Landry Smith |
Aug 30th 2022 |
| William Burges: Architectural drawing |
Editors |
Aug 25th 2022 |
| On Bramante (2022) – Review |
Oliver Lütjens and Thomas Padmanabhan |
Aug 22nd 2022 |
| Edifice |
Philippa Lewis |
Aug 19th 2022 |
| Turning Point: The US Embassy in Dublin |
Cormac Murray |
Aug 17th 2022 |
| Objects That Meet |
Lars Lerup |
Aug 15th 2022 |
| W. R. Lethaby: Architecture, Mysticism and Myth |
Hugh Strange |
Aug 10th 2022 |
| Dalibor Vesely: Shared Horizons |
Biba Dow |
Aug 8th 2022 |
| Power & Public Space 10: Dank Lloyd Wright – Meme Space |
Matthew Blunderfield and Dank Lloyd Wright |
Aug 5th 2022 |
| Power & Public Space 9: Ana Bonet Miró – Fun Palace |
Matthew Blunderfield and Ana Bonet Miró |
Aug 3rd 2022 |
| The Cod of São Victor |
Pedro Bandeira |
Aug 1st 2022 |
| Power & Public Space 8: Markus LäHteenmäki – Lev Rudnev’s Monument to the Victims of the Revolution |
Matthew Blunderfield and Markus Lähteenmäki |
Jul 29th 2022 |
| Alberto Pérez-Gómez: Architecture as Drawing |
Mark Dorrian and Alberto Pérez-Gómez |
Jul 28th 2022 |
| Power & Public Space 7: Mabel O. Wilson – Memorial to Enslaved Labourers, University of Virginia |
Matthew Blunderfield and Mabel O. Wilson |
Jul 27th 2022 |
| Time’s Witness. History in the Age of Romanticism (2021) – Review |
Martin Bressani |
Jul 25th 2022 |
| Power & Public Space 6: André Patrão – Eisenman, Derrida, and Chora L Works (Parc de la Villette) |
Matthew Blunderfield and André Patrão |
Jul 22nd 2022 |
| Power & Public Space 5: Mark Wallinger – State Britain |
Matthew Blunderfield and Mark Wallinger |
Jul 20th 2022 |
| Freddie Phillipson ‘The Ulysses Project’ – Review |
Peter Carl |
Jul 18th 2022 |
| Power & Public Space 4: Jonas Žukauskas – Forest Parts |
Matthew Blunderfield and Jonas Žukauskas |
Jul 15th 2022 |
| Materia 2: Corrugated Iron |
Gordon Shrigley |
Jul 14th 2022 |
| Power & Public Space 3: Manuel Herz – Babyn Yar Synagogue |
Matthew Blunderfield and Manuel Herz |
Jul 13th 2022 |
| Elia Zenghelis: The Image as Emblem and Storyteller |
Richard Hall |
Jul 11th 2022 |
| Power & Public Space 2: Lauren Bon – Bending the River Back to the City |
Matthew Blunderfield and Lauren Bon |
Jul 8th 2022 |
| Power & Public Space 1: Liza Fior – The Dalston Eastern Curve Garden |
Matthew Blunderfield and Liza Fior |
Jul 6th 2022 |
| Sir Edwin Lutyens, by his Son |
Robert Lutyens |
Jul 4th 2022 |
| Jan Tschichold and El Lissitzky: Foto-Auge (Photo-eye) |
Paul Stirton |
Jun 29th 2022 |
| Hexenhaus (2021) – Review |
Paul Clarke |
Jun 27th 2022 |
| Roland Simounet: De La Verité en Architecture |
Pierre Riboulet |
Jun 24th 2022 |
| Workshop: On Siza’s March ’77 Sketchbook |
Manuel Montenegro |
Jun 22nd 2022 |
| Interview with Space Magazine |
Matt Page and Semi Park |
Jun 20th 2022 |
| The Ulysses Project: Architecture and the city through James Joyce’s Dublin: Part II |
Freddie Phillipson |
Jun 17th 2022 |
| The Ulysses Project: Architecture and the city through James Joyce’s Dublin: Part I |
Freddie Phillipson |
Jun 16th 2022 |
| Growing up Modern: Childhoods in Iconic Homes (2021) – Review |
Gillian Darley |
Jun 13th 2022 |
| Benjamin Wistar Morris and a new Metropolitan Opera House |
Janet Parks |
Jun 10th 2022 |
| The Ulysses Project: Architecture and the city through James Joyce’s Dublin: Introduction |
Freddie Phillipson |
Jun 8th 2022 |
| The Anatomy of the Architectural Book: Magical Moves |
André Tavares |
Jun 6th 2022 |
| Opportunism |
Richard Hall and Emma Rutherford |
Jun 2nd 2022 |
| Les Fêtes de Nuit (1937) |
Robert Chenevier |
May 30th 2022 |
| Walter Segal, Self-Built Architect (2021) – Review |
Jane Hall |
May 26th 2022 |
| Clancy Moore: Less is more |
Chris Foges |
May 24th 2022 |
| Hélène Binet: The Outsider |
Hélène Binet |
May 19th 2022 |
| William Dickinson’s Pocketbook: Rethinking Drawing & practice in Early C18th England |
Elizabeth Deans |
May 18th 2022 |
| Robert Adam: The Long Gallery at Syon |
Stephen Astley, Adriano Aymonino, Markus Lähteenmäki and Frances Sands |
May 13th 2022 |
| Shatwell farm open day – 18 June 2022 |
|
May 11th 2022 |
| Fernando Higueras: The Volcano, The Flower, and The Dromedary |
Guillermo S. Arsuaga |
May 9th 2022 |
| CP138 Gordon Matta-Clark: Readings of the Archive (2020) – Review |
Penelope Curtis |
May 7th 2022 |
| Reflections on The Drawing Matter Archive |
Roz Barr, Jonah Ginsburg, Benjamin Machin and Sandra Porter |
May 3rd 2022 |
| Design Starts: Loughborough School of Architecture at Shatwell Farm |
Benjamin Machin |
May 3rd 2022 |
| An Artist Browsing the Collection |
Sandra Porter |
May 3rd 2022 |
| The Evolving Role of Drawing |
Nicholas Olsberg |
Apr 29th 2022 |
| Reflections on my Internship |
Jonah Ginsburg |
Apr 27th 2022 |
| Do You Remember How Perfect Everything Was? The Work of Zoe Zenghelis (2021) – Review |
Richard Hall |
Apr 26th 2022 |
| Syon House and the Afterlife of Architectural Drawing |
Freddie Phillipson |
Apr 22nd 2022 |
| ‘For the curiosity of the article’: Excerpts from Architectural Drawing (1870) |
William Burges |
Apr 19th 2022 |
| Adaptations: A Teaching Studio at Cornell |
Roz Barr |
Apr 19th 2022 |
| The Ruined Temple and Oberrealta Chapel |
Zachary Torres |
Apr 14th 2022 |
| Materia: Render |
Gordon Shrigley |
Apr 12th 2022 |
| The Iterative Power of Architecture’s Absence |
Peter Sealy |
Apr 7th 2022 |
| The Being of Drawing (2021) – Review |
Matt Page |
Apr 4th 2022 |
| Drawing as Advocacy |
Stephanie Davidson and Mary Vaccaro |
Mar 28th 2022 |
| Drawing Out, Drawing In: Cartographies for ‘Out of the Sea’ |
Beth George |
Mar 24th 2022 |
| In the Archive: Laugier, Eisen, Boulogne, Petitot, Percier, Dumont and Hadid |
Christiane Matt |
Mar 22nd 2022 |
| Wood & Harrison: A Film About a City |
Paul Harrison and John Wood |
Mar 21st 2022 |
| Inessential Colors: Architecture on Paper in Early Modern Europe (2021) – Review |
Anthony Vidler |
Mar 17th 2022 |
| Entering the Imperial Palace |
Will Jennings |
Mar 16th 2022 |
| Exhibition Design: Charging the Void |
Claire Oster |
Mar 9th 2022 |
| Room at the Top?: Kate Macintosh, Denise Scott Brown and the kingmaker-critic |
Emily Dan |
Mar 7th 2022 |
| Tom de Paor: ‘i see Earth’, Building and Ground 1991–2021 – Review |
Andrew Clancy |
Mar 4th 2022 |
| Painting in Stone (2020) – Review |
Jonathan Foote |
Mar 1st 2022 |
| The Extended Portal: Atcost |
Andrew Clancy |
Feb 28th 2022 |
| What’s a Bludder Sketch? |
Declan Quirke |
Feb 28th 2022 |
| Pan Scroll Zoom 20: 10PM in Inner Mongolia |
Mark Dorrian |
Feb 23rd 2022 |
| The Edge of Architecture: Cornices in the Drawing Matter collection |
Editors |
Feb 21st 2022 |
| The Cornice: The Edge of Architecture |
Maarten Delbeke |
Feb 21st 2022 |
| Sigurd Lewerentz: Punctum. seeing the detail |
Mikael Bergquist |
Feb 14th 2022 |
| Growth or Composition? Colin Rowe to Louis Kahn |
Michael Merrill |
Feb 10th 2022 |
| Louis Kahn: The Importance of a Drawing (2021) – Review |
Stan Allen |
Feb 10th 2022 |
| Charles Stanley Peach: Pioneer in Power |
Andrew Jones |
Feb 8th 2022 |
| The Urban Fact: Aldo Rossi, Student Housing, Chieti |
Kersten Geers, Stefano Graziani and Jelena Pancevac |
Feb 7th 2022 |
| Postmodern Australia: Robert Pearce’s Drawings for Edmond and Corrigan |
Yvette Putra |
Feb 1st 2022 |
| The Measure of It: An Essay on Measured Drawings |
George Saumarez Smith |
Jan 31st 2022 |
| Charles Jencks: Architect in the Jumping Universe |
Lily Jencks |
Jan 25th 2022 |
| The Architectural Models of Theodore Conrad: The ‘miniature boom’ of mid-century modernism (2021) – Review |
Emma Letizia Jones |
Jan 25th 2022 |
| Montage-Entourage; Or The Politics Of The Seam |
Michael Young |
Jan 24th 2022 |
| Álvaro Siza: The Adoration of the magi |
António Choupina |
Jan 19th 2022 |
| Pan Scoll Zoom 19: Pier Vittorio Aureli and Maria S. Giudici |
Pier Vittorio Aureli, Fabrizio Gallanti and Maria S. Giudici |
Jan 19th 2022 |
| Decoding Wittgenstein’s Stonborough Villa |
Akira Koyama |
Jan 18th 2022 |
| In the Archive: New and Found 2 |
Editors |
Jan 12th 2022 |
| Infinite Patterns in I. M. Pei’s Furniture Diagrams |
Daniel Luis Martinez |
Jan 12th 2022 |
| Essex Coastal Cornice: Ex-Mould |
Charles Holland |
Jan 11th 2022 |
| David K. Ross: Archetypes (2021) – Review and Excerpt |
Helen Thomas |
Jan 11th 2022 |
| Sir John Soane’s Involvement in House Flipping |
Frances Sands |
Jan 10th 2022 |
| Between the Layers: Transparent Paper as a Modernist Architectural Design Environment |
Fabio Colonnese |
Jan 6th 2022 |
| Working with Tony Fretton |
Jonathan Sergison |
Jan 4th 2022 |
| The Rural Homes of Marcelo Ferraz and Francisco Fanucci |
Abilio Guerra |
Dec 13th 2021 |
| Stories from Architecture: Behind the Lines at Drawing Matter |
Adrian Forty, Niall Hobhouse and Philippa Lewis |
Dec 13th 2021 |
| The Temple of Flora, Stourhead: a paradise revisited |
Dudley Dodd |
Dec 9th 2021 |
| In Defence of Metaphor |
Deanna Petherbridge |
Dec 9th 2021 |
| Movements of the Drawing Hand |
Paul Clarke |
Dec 8th 2021 |
| Analoge Architektur: Fire Station Project |
Daniel Studer |
Dec 8th 2021 |
| Drawing Parallels: John Hejduk’s Wall House 1 |
Ray Lucas |
Dec 6th 2021 |
| In the Archive: New and Found |
Editors |
Dec 1st 2021 |
| The I’Ansons: A Dynasty of London Architects & Surveyors |
Peter Jefferson Smith |
Nov 30th 2021 |
| El Croquis 208: DOGMA familiar/unfamiliar 2002–2021 (2021): Review |
Leonard Ma |
Nov 29th 2021 |
| The Philips Pavilion: Models as Structural Expression |
Matthew Mindrup |
Nov 23rd 2021 |
| Álvaro Siza: Seven Early Sketchbooks |
Niall Hobhouse, Manuel Montenegro and Álvaro Siza |
Nov 22nd 2021 |
| Pan Scroll Zoom 18: Wolff Architects |
Fabrizio Gallanti, Ilze Wolff and Heinrich Wolff |
Nov 17th 2021 |
| The Urban Fact: Aldo Rossi, The School, Fagnano Olona |
Kersten Geers, Stefano Graziani and Jelena Pancevac |
Nov 16th 2021 |
| A Short History of Alberto Ponis on the Sardinian Coast |
Sebastiano Brandolini |
Nov 15th 2021 |
| Sigurd Lewerentz: Architect of Death and Life (2021): Review and Excerpts |
Caroline Voet |
Nov 15th 2021 |
| The Pursuit of Gothic |
Rosemary Hill |
Nov 10th 2021 |
| Architectonic Landscapes |
Deanna Petherbridge |
Nov 9th 2021 |
| Frank Lloyd Wright, House for Edith Carlson, 1939, Part II |
Philippa Lewis |
Nov 7th 2021 |
| Writing Prize 2021: Itsuko Hasegawa, Capturing an Infinite Distance |
Ahmed Belkhodja |
Nov 4th 2021 |
| Drawing Powers: Introduction |
Fernando Poeiras |
Nov 2nd 2021 |
| Drawing Powers 2: the object in the drawing |
Fernando Poeiras |
Nov 2nd 2021 |
| Drawing Powers 3: the drawing in the object |
Fernando Poeiras |
Nov 2nd 2021 |
| Drawing Powers 4: the drawing-object |
Fernando Poeiras |
Nov 2nd 2021 |
| Drawing Powers: conclusions |
Fernando Poeiras |
Nov 2nd 2021 |
| The Italian Job: Anthony Salvin, Sir John Benson and the Royal Cork Yacht Club, Cóbh |
Tom Spalding |
Oct 27th 2021 |
| Alberto Ponis on Casa Scalesciani |
Alberto Ponis |
Oct 27th 2021 |
| Hélène Binet: The Intimacy of Making, Three Historical Sites in Korea (2021): Review |
Helen Thomas |
Oct 25th 2021 |
| Frank Lloyd Wright, House for Edith Carlson, 1939, Part I |
Philippa Lewis |
Oct 21st 2021 |
| Álvaro Siza: Fast and Slow Lines |
Lok-Kan Chau |
Oct 20th 2021 |
| Writing Prize 2021: Savinien Petit’s Chapelle a deux salles avec luminaire |
Raphael Haque |
Oct 18th 2021 |
| The Hidden Horizontal. Cornices in Art and Architecture: Exhibition Review |
Cammy Brothers |
Oct 18th 2021 |
| The Metropolitan Opera House, NYC: Invisible guests |
Kyna Leski |
Oct 15th 2021 |
| Lines, Drawings, the Human Condition |
Tim Ingold, Momoyo Kaijima, Andreas Kalpakci and Anh-linh Ngo |
Oct 13th 2021 |
| Doodles: Stirling Wilford and Associates, 1984–2000 |
Marco Iuliano |
Oct 12th 2021 |
| Henri Guerbois: Department Store in King Street, 1921 |
Philippa Lewis |
Oct 5th 2021 |
| Twelve Thousand Seven Hundred Forty-Two KM of Continuum |
Farnoosh Farmer |
Oct 4th 2021 |
| Porto School, B Side: Insurrectional Organization of Space |
Pedro Bandeira |
Sep 29th 2021 |
| The Order of Terror |
Deanna Petherbridge |
Sep 28th 2021 |
| Christoph Schlingensiefs Operndorf Afrika (2020): Review |
Erandi de Silva |
Sep 27th 2021 |
| R for Representation |
Ralf Liptau |
Sep 27th 2021 |
| Writing Prize 2021: Reading Material |
Rebecca Disney |
Sep 23rd 2021 |
| Writing Prize 2021: Live My Drawings |
Ying Xuan Chian |
Sep 23rd 2021 |
| Survey: Le Corbusier, Roland Garros stadium |
Matthew Wells |
Sep 21st 2021 |
| Clancy Moore Architects: Atcost |
Andrew Clancy and Colm Moore |
Sep 20th 2021 |
| PC Harry Woodley: Plans of No 131 Cornwall Street, 1902 |
Philippa Lewis |
Sep 17th 2021 |
| An Overwhelming Concern with Shelter! (1966) |
Gustav Metzger |
Sep 16th 2021 |
| Disney: The Architecture of Staged Realities |
Saskia van Stein |
Sep 10th 2021 |
| John Nash: Designs for Langham House, ca. 1812–1816 |
Philippa Lewis |
Sep 6th 2021 |
| Capitol or Capital? |
Martin Pawley |
Sep 2nd 2021 |
| Notations (2016): Review & Excerpt |
Richard Hall |
Sep 2nd 2021 |
| Pan Scroll Zoom 17: Monadnock |
Job Floris and Fabrizio Gallanti |
Sep 1st 2021 |
| Cosmos Street Revisited |
Peter Wilson |
Aug 31st 2021 |
| The Silo at 40Hz |
Joe Banks and Jonah Ginsburg |
Aug 27th 2021 |
| Survey: John Goldicutt, Temple of Vespasian |
Matthew Wells |
Aug 25th 2021 |
| Unpeopled Places |
Deanna Petherbridge |
Aug 23rd 2021 |
| Piranesi Unbound (2020): Review |
Nicholas Savage |
Aug 19th 2021 |
| Survey: Piazza Grande, Gubbio, Perugia |
Biba Dow |
Aug 18th 2021 |
| Craving Primal Architecture |
Rory Chisholm |
Aug 17th 2021 |
| Superstudio: Finding the Horizon |
Gian Piero Frassinelli |
Aug 12th 2021 |
| Where to Begin? – Juhani Pallasmaa |
Juhani Pallasmaa |
Aug 12th 2021 |
| Besides, History (2018): Book Review |
Stan Allen |
Aug 9th 2021 |
| The H-plan: Breuer, Stirling, Gowan |
Anthony Vidler |
Aug 5th 2021 |
| Galleries in the Valley |
Abigail Calva, Basil Harb, Erin Huang, Claire Oster and Sarah Tien |
Aug 4th 2021 |
| Sketches from Algiers |
Adam Voelcker |
Aug 2nd 2021 |
| Building the Gowan Shed |
Jonah Ginsburg |
Jul 30th 2021 |
| Steeling Stirling & Gowan’s Isle of Wight House |
Neil Jackson |
Jul 28th 2021 |
| Pan Scroll Zoom 16: Luis Callejas |
Luis Callejas |
Jul 28th 2021 |
| Insignificance 4: Self-reflexive |
Gordon Shrigley |
Jul 26th 2021 |
| Cassius Goldsmith’s Grey Weather Gate House |
Marie-Henriette Desmoures |
Jul 25th 2021 |
| Stirling & Gowan: The Isle of Wight House |
James Gowan, J. M. Richards, Laurent Stalder, James Stirling and Ellis Woodman |
Jul 21st 2021 |
| Postcards: The Nature of images |
Luca Galofaro |
Jul 21st 2021 |
| The James Clarke Remake |
Oscar Binder and Nikolaus Podlaha |
Jul 20th 2021 |
| Drawing the Brunswick Centre |
Birkin Haward |
Jul 19th 2021 |
| Leicester Engineering Building: Completed! |
James Gowan |
Jul 14th 2021 |
| Forced Migrations, Barriers and Vanishing Asylums |
Deanna Petherbridge |
Jul 13th 2021 |
| On Pristine Boxes and Primeval Huts |
Frank Bauer |
Jul 13th 2021 |
| 36 Elevations |
Calum Storrie |
Jul 12th 2021 |
| Leicester Engineering Building: Under Construction |
James Gowan |
Jul 8th 2021 |
| Pan Scroll Zoom 15: Other Architects |
Fabrizio Gallanti, Grace Mortlock and David Neustein |
Jul 7th 2021 |
| Luc Deleu & T.O.P. OFFICE: Future Plans, 1970–2020 (2021) – Review |
Victoria Easton |
Jul 7th 2021 |
| Shatwell Farm: A Step Up |
John Glew |
Jul 6th 2021 |
| Letter to the Editors: What I see in drawings today… |
Andrea Leonardi |
Jul 5th 2021 |
| Disinformation: Closed Circuit |
Joe Banks |
Jun 30th 2021 |
| The Cottage at Bromley |
Tim Anstey and Mari Lending |
Jun 28th 2021 |
| Florian Beigel & Aru’s Pojagi House: Searching for the Essential |
Louis Mayes |
Jun 28th 2021 |
| Keeping a Notebook |
Simon Unwin |
Jun 24th 2021 |
| From Diderot to Tokyo: Mechanical, Subjective and Digital Time |
Peter Wilson |
Jun 23rd 2021 |
| Folding Landscapes: The Maps of Tim Robinson |
Declan Quirke |
Jun 23rd 2021 |
| Architectural Drawing (1983) |
George Collins |
Jun 22nd 2021 |
| 26 Kingly Street Co-Op |
Editors |
Jun 21st 2021 |
| Pan Scroll Zoom 14: Alfredo Thiermann |
Alfredo Thiermann |
Jun 16th 2021 |
| The Language of Architecture: Peter Märkli’s system of proportion |
Stacey Lewis |
Jun 15th 2021 |
| Notes on Twelve drawings for the Governor’s Palace at Chandigarh |
José Oubrerie |
Jun 15th 2021 |
| Jesús Vassallo’s Epics in the Everyday (2019): Review & Excerpt |
Helen Thomas |
Jun 14th 2021 |
| Stephen Taylor: Haybarn |
Brendan Woods |
Jun 14th 2021 |
| Drawing on History: Mirages, Interventions and Contestations |
Deanna Petherbridge |
Jun 10th 2021 |
| The Over Under: Drawing as process |
Peter William Rae |
Jun 10th 2021 |
| Insignificance 3: Mourning Work |
Gordon Shrigley |
Jun 9th 2021 |
| The Future City |
Paul Maher |
Jun 9th 2021 |
| Notes on The Palace of the Assembly and Museum at Chandigarh |
José Oubrerie |
Jun 7th 2021 |
| Cartographies of the Imagination |
Kirsty Badenoch and Sayan Skandarajah |
Jun 4th 2021 |
| This Blue Love: Aldo Rossi in Samos in late Summer 1989 |
Vincenzo Moschetti |
Jun 2nd 2021 |
| An Everyday Detail |
Priit Jürimäe |
Jun 2nd 2021 |
| Peekaboo! Stanford White and the Mystery Lantern for Madison Square Presbyterian Church |
H. Horatio Joyce |
Jun 1st 2021 |
| Pan Scroll Zoom 13: Tatiana Bilbao |
Tatiana Bilbao and Fabrizio Gallanti |
Jun 1st 2021 |
| Hans Poelzig: Decorating the Empty Centre |
Hana Nihill |
Jun 1st 2021 |
| I Cut Mount Fuji Every Day |
Marie-Henriette Desmoures |
May 31st 2021 |
| BOLLES+WILSON: Sketching-Over Albania |
Peter Wilson |
May 27th 2021 |
| Le Palais de Darius a Persepolis |
Charlotte Hart |
May 27th 2021 |
| 68½ degrees, Sverre Fehn and the Nordic Pavilion: Review & Excerpt |
Niall Hobhouse |
May 26th 2021 |
| biq: Revealing Construction |
Neil Middleton |
May 26th 2021 |
| Superstudio & Piranesi: Zeno is Immortal |
Olivier Bellflamme |
May 24th 2021 |
| Insignificance 2: Distinction – Polysemy |
Gordon Shrigley |
May 19th 2021 |
| Evocation of Solemnity: Temple of Minerva |
Rodrigo Dominguez |
May 19th 2021 |
| Notes on the 2020 Summer School: Encounters in landscape |
Marwa El Mubark |
May 18th 2021 |
| Pan Scroll Zoom 12: Elizabeth Hatz |
Elizabeth Hatz |
May 18th 2021 |
| To assist |
Ruben Casqero |
May 18th 2021 |
| Fernand Pouillon’s Survey of the Abbey of Le Thoronet |
Oscar Mather |
May 17th 2021 |
| Keshi Ghat |
Amrutha Viswanath |
May 13th 2021 |
| Hans Hollein’s Immunological City |
Dhruv Mehta |
May 12th 2021 |
| Bovenbouw Architectuur: One Paper Model and Three Paper Collages |
Ciaran Scannell |
May 12th 2021 |
| Eric Gill On Designing War Graves (1919) |
Eric Gill |
May 11th 2021 |
| Medieval Masons and tracing-floors |
Jennifer Smith |
May 10th 2021 |
| The Intention of Suspension: Peter Wilson’s Clandeboye Fish |
Gabrielle Eglen |
May 10th 2021 |
| fala atelier: Seriously Playful |
Jack Huang |
May 6th 2021 |
| Diagrams: Hans van der Heijden in Conversation with Richard Hall |
Richard Hall |
May 5th 2021 |
| The Zilsel Thesis: A Review of Strata: William Smith’s Geological Maps (2020): Review |
Stan Allen |
May 4th 2021 |
| Insignificance 1: Discipline |
Gordon Shrigley |
May 4th 2021 |
| Notes on Architectural Education and Drawing |
Rafael Sousa Santos |
May 3rd 2021 |
| Bulgakov’s ‘Golden City’ (1923) |
Cyril Babeev |
May 3rd 2021 |
| Crossing the Abyss |
Deanna Petherbridge |
May 1st 2021 |
| 14 Wine Street, Bristol |
Lee Marable |
Apr 29th 2021 |
| The Beaux-Arts Tradition |
Basile Baudez and Maureen Cassidy-Geiger |
Apr 29th 2021 |
| Nobuo Sekine: Phase of Nothingness |
Editors |
Apr 27th 2021 |
| Order and Uncertainty in Architectural Drawing |
Luke Tipene |
Apr 26th 2021 |
| Leicester Engineering building: Two Architects (1964) |
Ellis Woodman |
Apr 26th 2021 |
| Open Wide / Wide Open |
Angharad Davies |
Apr 22nd 2021 |
| Peter Märkli: My Facade Material |
Editors |
Apr 21st 2021 |
| Pan Scroll Zoom 11: Architecten Jan De Vylder Inge Vinck |
Fabrizio Gallanti, Inge Vinck and Jan De Vylder |
Apr 19th 2021 |
| Physical & Digital Drawing |
Reuben Roberts |
Apr 19th 2021 |
| Sébastien Marot’s Taking The Country’s Side (2019): Review & Excerpt |
Adam Caruso |
Apr 19th 2021 |
| The Vitruvian Man: with Fresh Eyes |
Niamh Murphy |
Apr 14th 2021 |
| The Architecture of Nothingness: Analysing Frank Lloyd Wright’s Unity Temple |
Frank Lyons |
Apr 12th 2021 |
| Shaping Landscape: Schinkel and Erratics |
Tom Cookson |
Apr 12th 2021 |
| Place and Displacement: Rubbings from Architecture |
Sam van Strien |
Apr 12th 2021 |
| Balzac architecte (1856) |
Leon Gozlan |
Apr 9th 2021 |
| Nancy Holt: Sky Mound |
Holt/Smithson Foundation |
Apr 8th 2021 |
| Hans Hollein: From a Distance |
Robert Crawford |
Apr 7th 2021 |
| Adam Bede’s ‘Discourse on Building’ (1859) |
George Eliot |
Apr 6th 2021 |
| Remembering a House in an Indiana Cornfield |
Larry Richards |
Mar 31st 2021 |
| Flores & Prats Sala Beckett International Drama Centre (2020): REVIEW & EXCERPTS |
Helen Thomas |
Mar 30th 2021 |
| Casino Royale: Stynen’s unrealised sculpture garden |
Emerald Liu |
Mar 30th 2021 |
| André Arbus: Details Matter |
Anna Healy |
Mar 29th 2021 |
| Ritual and Repitition at San Cataldo Cemetery |
Marwa El Mubark |
Mar 29th 2021 |
| Pan Scroll Zoom 10: Studio Othenin-Girard |
Guillaume Othenin-Girard |
Mar 29th 2021 |
| Working with Gowan: Housing at East Hanningfield |
Paul Notley |
Mar 26th 2021 |
| Studio Mumbai’s Tape Drawing |
Irfan Safdag |
Mar 25th 2021 |
| Derrida & Eisenman: Laugh(ing) of(f) the lyre |
André Patrão |
Mar 22nd 2021 |
| Marie-José Van Hee: Seeing not Showing |
Tessa Baird |
Mar 22nd 2021 |
| Cedric Price: Urban Spaceman |
Ana Bonet Miró |
Mar 22nd 2021 |
| Pan Scroll Zoom 9: The Screen ClassRooms |
Anuj Daga |
Mar 19th 2021 |
| Haunted: Robert Smithson’s ‘My House is a Decayed House’ |
Suzaan Boettger |
Mar 18th 2021 |
| The Floor Plan of a Room |
Thomas Hutton |
Mar 17th 2021 |
| Building Desire: On the Barcelona Pavilion (2005) |
George Dodds |
Mar 16th 2021 |
| Pan Scroll Zoom 8: Patrick Lynch |
Patrick Lynch |
Mar 16th 2021 |
| Excerpt: Shadow Places |
Simon Unwin |
Mar 15th 2021 |
| Hans Poelzig: Der Golem |
Robert Wightman |
Mar 11th 2021 |
| Lauretta Vinciarelli: Homogeneous and Non-Homogeneous Grids |
Rebecca Siefert |
Mar 11th 2021 |
| The MARS Group’s Plan for London, 1933-1944 |
Mirjam Kupferschmid |
Mar 8th 2021 |
| Glasgow School of Art: The Measure of Things |
Paul Clarke |
Mar 8th 2021 |
| Stanley Peach: Church Plan based on the Figure of Christ |
Mireya Fabregas |
Mar 8th 2021 |
| Make me Hyper-Real: image ethics and the architectural visualisation |
Daniel Innes |
Mar 5th 2021 |
| Tradition and Modernity, Continuity and Critique |
Rebecca Siefert |
Mar 4th 2021 |
| Cedric Price: Westal Market Stall Prototypes |
Editors |
Mar 1st 2021 |
| The Perpetual Race of Piranesi and the Tortoise |
Marc McGowan |
Mar 1st 2021 |
| Architecture’s Mirror Stage |
Michael Abrahamson |
Feb 26th 2021 |
| Pan Scroll Zoom 7: MOS |
Fabrizio Gallanti, Michael Meredith and Hilary Sample |
Feb 25th 2021 |
| Stan Allen’s Situated Objects (2020): Review & Excerpt |
Niall Hobhouse |
Feb 24th 2021 |
| Re-presenting the Rococo |
David Valinsky |
Feb 24th 2021 |
| Take One: Architects on Drawing |
Editors |
Feb 23rd 2021 |
| In search of an honest map |
Nicholas Herrmann |
Feb 22nd 2021 |
| Walter Pichler: Mystery and Mysticism |
Harvey Herman |
Feb 19th 2021 |
| Superstudio: Another Mirror Image |
Ludwig Engel |
Feb 17th 2021 |
| Singing Songs of Piccadilly: Review |
Editors |
Feb 16th 2021 |
| Signature |
André Patrão |
Feb 15th 2021 |
| Mother of all drawings |
Deepiga Kameswaran |
Feb 15th 2021 |
| The Problem with Rainbows |
Adolfo Natalini |
Feb 12th 2021 |
| Charlotte Skene Catling: The Dairy House |
Françoise Astorg Bollack |
Feb 11th 2021 |
| Sir John Soane’s Museum: Bound Legacy |
Alexandra Politis |
Feb 9th 2021 |
| The Architect and the Matador |
Thomas Gould |
Feb 8th 2021 |
| On Tony Fretton and the Lisson Gallery |
Nicholas Logsdail |
Feb 5th 2021 |
| Louis Kahn: In Praise of shadows |
Emerald Liu |
Feb 3rd 2021 |
| Drawing the Curtain: Entangling rendering and theatrical space |
Thomas Hutton |
Feb 2nd 2021 |
| Carlos Diniz and the World Trade Center |
Sam van Strien |
Feb 1st 2021 |
| Drawing Sacred Forests and Courtyards in South Benin |
Quentin Nicolaï |
Jan 29th 2021 |
| Hello Iwona |
Hamish Lonergan |
Jan 27th 2021 |
| Elliott Glushak vs. The City of New York |
Philippa Lewis |
Jan 27th 2021 |
| The House and the Sketch |
Bijan Thornycroft |
Jan 25th 2021 |
| Two Early Paintings with OMA |
Zoe Zenghelis |
Jan 25th 2021 |
| Viollet-le-Duc: Ruins in Reverse |
Thomas Gould |
Jan 22nd 2021 |
| Zahalternative Histories: O’Donnell + Tuomey on Zaha Hadid |
John Tuomey |
Jan 19th 2021 |
| Aldo Rossi: Divination of a Drawing |
Chloe Spiby Loh |
Jan 18th 2021 |
| Pan Scroll Zoom 6: Emily Wettstein |
Fabrizio Gallanti and Emily Wettstein |
Jan 18th 2021 |
| Pier Vittorio Aureli’s Architecture of Abstraction |
Nicholas Andrew Pacula |
Jan 15th 2021 |
| Architecture at the Edge |
Craig Moller and Marco Moro |
Jan 13th 2021 |
| The Discreet Charm of the Bureaucratic |
Michael Abrahamson |
Jan 13th 2021 |
| Thomas Chippendale and Ornament |
Tom Cookson |
Jan 13th 2021 |
| The Meaning of Lines |
Laura Bonell and Daniel López-Dòriga |
Jan 11th 2021 |
| The Fun Palace: Light Adaptation |
Chase Galis |
Jan 8th 2021 |
| The Values of Profiles (1951) |
Luigi Moretti |
Jan 8th 2021 |
| Writing Prize 2020: Architectural Apparitions |
Anahat Chandra |
Jan 7th 2021 |
| Malagueira: Conflict Resolution (1983) |
Álvaro Siza |
Jan 4th 2021 |
| Christmas Reading List 2020 |
Editors |
Dec 22nd 2020 |
| Shower at Shatwell Farm |
Adam Blencowe |
Dec 21st 2020 |
| Anna Atkins: Laying Out the Blueprints |
Nicholas Herrmann |
Dec 21st 2020 |
| Startha Éagsula: GKMP architects on Charles Moore |
GKMP architects |
Dec 17th 2020 |
| Writing Prize 2020: Pens down, Braid up |
Cassandra Adjei |
Dec 17th 2020 |
| Soane’s Temple Stye |
Rosie Ellison-Balaam |
Dec 16th 2020 |
| Pan Scroll Zoom 5: Andrés Jaque |
Fabrizio Gallanti and Andrés Jaque |
Dec 16th 2020 |
| Writing Prize 2020: The Anatomy of an Oyster Theatre |
Emilie Banville |
Dec 14th 2020 |
| Startha Éagsula: O’Donnell + Tuomey on Zaha Hadid |
Sheila O'Donnell and John Tuomey |
Dec 11th 2020 |
| Drawing, Collaging, Rendering |
Cameron Lintott |
Dec 9th 2020 |
| Vitruvius: Follow the Footprints |
Paul Emmons |
Dec 7th 2020 |
| Writing Prize 2020: Domestic Space, Registered |
Laura Bonell and Daniel López-Dòriga |
Dec 5th 2020 |
| Startha Éagsula: t o b Architect on James Gowan |
Thomas O’Brien |
Dec 3rd 2020 |
| Collection of Sections |
Allen Keith Yee |
Dec 2nd 2020 |
| Writing Prize 2020: Smudgy Logic – A Short Story |
Aris Kafantaris |
Nov 30th 2020 |
| On a handrail |
Jon Lopez |
Nov 30th 2020 |
| Startha Éagsula: Paul Dillon Architects on Florian Beigel and Philip Christou |
Paul Dillon |
Nov 26th 2020 |
| William Heath Robinson ‘Tightening the Green Belt’ |
Laura Freeman |
Nov 26th 2020 |
| Aldo Rossi: the First Sketch and the Final Drawing |
Andrea Leonardi |
Nov 25th 2020 |
| Drawing is discovery (1953) |
John Berger |
Nov 24th 2020 |
| Outside In |
Emily Priest |
Nov 23rd 2020 |
| Startha Éagsula: David Leech Architects on Barthélemy Enfantin |
David Leech |
Nov 19th 2020 |
| Pan Scroll Zoom 4: Pezo von Ellrichshausen |
Sofia von Ellrichshausen, Fabrizio Gallanti and Mauricio Pezo |
Nov 18th 2020 |
| Sigurd Lewerentz: Siting the Axonometric |
Stan Allen |
Nov 17th 2020 |
| Bramante: Five Dots |
Guido Beltramini |
Nov 16th 2020 |
| Writing Prize 2020: Appropriation and Drawing |
Marko Skoblar |
Nov 13th 2020 |
| Startha Éagsula: Steve Larkin Architects on Walter Pichler |
Steve Larkin |
Nov 12th 2020 |
| Paolo Portoghesi: the Field Theory |
Marco Vanucci |
Nov 9th 2020 |
| All back to front: D’Aviler’s Cours D’Architecture |
Richard Emerson |
Nov 9th 2020 |
| Writing Prize 2020: To Measure a Croissant |
Emily Priest |
Nov 9th 2020 |
| Tree Speech |
Sylvia Lavin |
Nov 7th 2020 |
| Writing Prize 2020: Hugh Casson’s ‘Diary’ |
Laura Freeman |
Nov 6th 2020 |
| Startha Éagsula: Níall McLaughlin Architects on Basil Spence |
Níall McLaughlin |
Nov 4th 2020 |
| Writing Prize 2020: Held Fast: SITE’s Ghost Parking Lot |
Anna Renken |
Nov 3rd 2020 |
| Trees Push Back |
Sylvia Lavin |
Nov 3rd 2020 |
| Writing Prize 2020: The Best Future |
Cameron Lintott |
Nov 2nd 2020 |
| Startha Éagsula: Elizabeth Hatz on Frank Lloyd Wright |
Elizabeth Hatz |
Oct 29th 2020 |
| Echo: SuperStudio & Hans Hollein |
Matt Page |
Oct 28th 2020 |
| Tony Fretton: Tolerance |
Richard Hall |
Oct 27th 2020 |
| A New Administration Center For Los Angeles (1936) |
William Hamilton |
Oct 27th 2020 |
| Trees Move In |
Sylvia Lavin |
Oct 22nd 2020 |
| Qamutit Home |
Konstantin Ikonomidis |
Oct 22nd 2020 |
| Startha Éagsula: Grafton Architects on Paulo Mendes da Rocha |
Yvonne Farrell and Shelley McNamara |
Oct 20th 2020 |
| Palladio’s Lines |
Sezin Sarıca |
Oct 15th 2020 |
| Raymond Erith On Soane at Tendring Hall |
Pierre du Prey |
Oct 13th 2020 |
| S.A.U.L. 4th Year: De Rerum Natura / In the Manner Of |
Gerard Carty, Elizabeth Hatz and Fionn O'Leary |
Oct 13th 2020 |
| The Empire State Building: Elevators (1931) |
Bassett Jones |
Oct 13th 2020 |
| Trees Make A Plan |
Sylvia Lavin |
Oct 7th 2020 |
| Writing Prize 2020: Figures of War |
Francesco Marullo |
Sep 29th 2020 |
| Pan Scroll Zoom 3: Andrew Clancy |
Andrew Clancy |
Sep 28th 2020 |
| Writing Prize 2020: Drawing People |
Daniel Innes |
Sep 23rd 2020 |
| Pan Scroll Zoom 2: Flores & Prats |
Ricardo Flores, Fabrizio Gallanti and Eva Prats |
Sep 1st 2020 |
| Superstudio: Monument Interrupted |
Julian Lewis |
Aug 31st 2020 |
| Paul László: Hertz Fallout Shelter |
Christine Bolli |
Aug 31st 2020 |
| Soane’s Designs for Combe House, Continued |
Pierre du Prey |
Jul 30th 2020 |
| Pan Scroll Zoom 1: Fabrizio Gallanti |
Fabrizio Gallanti |
Jul 30th 2020 |
| Just Begin: The Convent Sainte-Marie-de-la-Tourette |
Stan Allen and José Oubrerie |
Jul 28th 2020 |
| The wobbly line: Asplund, Johansson and the influence of Tessenow in Sweden 1915–1925 |
Jan Rydén |
Jul 27th 2020 |
| Dating Siza: The Malagueira ‘Cupula’ |
Manuel Montenegro |
Jul 23rd 2020 |
| Hybrid Studio |
Brian Carter |
Jul 23rd 2020 |
| OMA in Scheveningen |
Willem Jan Neutelings |
Jul 22nd 2020 |
| A Glasgow Effect |
Paul Stallan |
Jul 17th 2020 |
| Venice Biennale (1985) |
Dario Passi |
Jul 14th 2020 |
| Siza at sixteen |
Manuel Montenegro and Álvaro Siza |
Jul 10th 2020 |
| The Birds’ Morning Hymn (1929) |
Robert Lorimer |
Jul 10th 2020 |
| Notes on Port Royal, Jamaica |
Paul Cox |
Jul 7th 2020 |
| The Conservative (1941) |
Graham Greene |
Jul 6th 2020 |
| Fresh and Surprised |
Julian Lewis |
Jul 2nd 2020 |
| Library of Babel |
James White |
Jun 29th 2020 |
| The Real and Imagined Worlds of Álvaro Siza |
Bruno Silvestre |
Jun 26th 2020 |
| Mies: The Berlin Building Expostition (1974) |
Philip Johnson |
Jun 25th 2020 |
| Soane: Energy and Frustration |
Ptolemy Dean |
Jun 24th 2020 |
| The Story of the Pool (1978) |
Rem Koolhaas |
Jun 19th 2020 |
| James Gowan: The Sheet for the Job |
Jantje Engels |
Jun 17th 2020 |
| Staging Brancusi |
Sarah Handelman and Asli Çiçek |
Jun 15th 2020 |
| Stirling at Stuttgart: Rear View / Up Views |
John Tuomey |
Jun 15th 2020 |
| Mies: The Horizon |
Robin Evans |
Jun 14th 2020 |
| Thomas Henry Wyatt’s Brook House |
Andrew Jones |
Jun 12th 2020 |
| Ove Arup: Engineering the World |
Hugh Pearman |
Jun 12th 2020 |
| Álvaro Siza: Drawn Closer |
Álvaro Siza |
Jun 11th 2020 |
| SUPA Architects: Naked Plans |
Christian Schweitzer and Ryul Song |
Jun 6th 2020 |
| A Smoky Monument / Saunamonumentti |
Tuomas Toivonen |
Jun 5th 2020 |
| Welfare Palace Hotel (1978) |
Rem Koolhaas |
Jun 4th 2020 |
| Instead of an Article (1958) |
Alvar Aalto |
Jun 3rd 2020 |
| W. E. B. Du Bois’ visionary infographics |
Sarah Handelman |
Jun 2nd 2020 |
| Michael Graves’ Rooftop Village (1985) |
David L. Gilbert |
Jun 1st 2020 |
| Working with Asplund |
Herbert Korn |
May 29th 2020 |
| Architectural Typefaces |
Adrien Vasquez |
May 29th 2020 |
| Jaume Mayol / TEd’A Arquitectes: Drawn Closer |
Sarah Handelman and Jaume Mayol |
May 28th 2020 |
| New Welfare Island (1978) |
Rem Koolhaas |
May 27th 2020 |
| Gallaratese & Fagnano Olona (1976) |
Aldo Rossi |
May 26th 2020 |
| Eisenman: House VI (1985) |
Kathleen Enz Finken |
May 21st 2020 |
| On William Kent (1771) |
Horace Walpole |
May 19th 2020 |
| Calculated Aesthetics |
Asli Çiçek |
May 19th 2020 |
| Ink on his Hands: Montano’s Visceral Roman Architectures |
Dijana O. Apostolski |
May 18th 2020 |
| Hotel Sphinx (1978) |
Rem Koolhaas |
May 18th 2020 |
| L’Invasion de la Viande (1980) |
Elie Delamare-Debouteville |
May 14th 2020 |
| Paul Robbrecht: Drawn Closer |
Paul Robbrecht |
May 12th 2020 |
| Wright & Lautner: The Divorce |
Nicholas Olsberg |
May 12th 2020 |
| The Decline of Architectural Drawing (1859) |
C. H. Smith |
May 11th 2020 |
| On plans |
John Meunier |
May 10th 2020 |
| O’Donnell + Tuomey in Conversation |
Sheila O'Donnell and John Tuomey |
May 8th 2020 |
| Animals |
James Gowan and Ellis Woodman |
May 5th 2020 |
| The Ultimate Climes of John Lautner (1986) |
Esther McCoy |
May 4th 2020 |
| Drawing on the Nolli Plan |
Sheila O'Donnell |
May 1st 2020 |
| Louis Kahn: Notes on a Scrap of Paper |
Brian Carter |
Apr 30th 2020 |
| Scanning Shatwell |
Lucas Wilson |
Apr 30th 2020 |
| Grounded: Plans & Planning |
Richard Hall and Niall Hobhouse |
Apr 29th 2020 |
| Plan with the form of a growling dog |
Tony Fretton |
Apr 29th 2020 |
| Shape |
Charles Moore |
Apr 28th 2020 |
| Cadbury-Brown: Royal College of Art Extension |
Lionel Brett |
Apr 28th 2020 |
| Haiku |
John Cage |
Apr 28th 2020 |
| Space |
Charles Moore |
Apr 27th 2020 |
| BV Doshi: Drawn Closer |
Balkrishna Vithaldas Doshi and Sarah Handelman |
Apr 23rd 2020 |
| One Thing Leads to Another |
Richard Hall |
Apr 23rd 2020 |
| Daria’s Aria |
Sarah Handelman |
Apr 23rd 2020 |
| Ruskin: Fairy Tales |
John Ruskin |
Apr 22nd 2020 |
| Allies & Morrison: The Art of Architecture |
Gabor Gallov |
Apr 18th 2020 |
| Charles Barry: Good and Bad Manners in Architecture |
David Blissett |
Apr 17th 2020 |
| The San Cataldo Ossuary in the Age of Hyper-Objects |
Stefano Corbo |
Apr 16th 2020 |
| Language & the Doorn Manifesto |
Peter Smithson |
Apr 14th 2020 |
| The Garden of Earthly Delights |
Hamed Khosravi |
Apr 9th 2020 |
| Postcard from Nowhere (Counterswimming) |
Teresa Stoppani |
Apr 8th 2020 |
| Yasmeen Lari: Drawn Closer |
Helen Thomas |
Apr 7th 2020 |
| Where Words Fail |
Cyril Babeev and Matt Page |
Apr 6th 2020 |
| Drawing Culture at SOM New York |
Tom Killian |
Apr 3rd 2020 |
| Web of Intrigue |
Michael Webb |
Apr 3rd 2020 |
| Gowan on the English House |
James Gowan |
Apr 1st 2020 |
| Houses of Work and Play |
Patrick Lynch |
Mar 30th 2020 |
| Retail Therapy |
A. Trystan Edwards |
Mar 30th 2020 |
| Take One: Henry ‘Jim’ Cadbury-Brown and Richard Wentworth on the Royal College of Art |
|
Mar 27th 2020 |
| Peter Blake & Adolfo Natalini: From Mies to Mickey Mouse |
Peter Blake |
Mar 25th 2020 |
| Behind the Walls |
Matt Page |
Mar 23rd 2020 |
| ‘I chose a distant meadow’: The House that Neutra Built |
Stephen Bayley |
Mar 20th 2020 |
| Aalto on Asplund: Stockholm Exhibition (1930) |
Alvar Aalto |
Mar 9th 2020 |
| Take One: James Gowan and Sandra Lousada on the Leicester Engineering Building |
|
Mar 6th 2020 |
| Colin Rowe: Piazza Augusto Imperatore (1995) |
Colin Rowe |
Mar 5th 2020 |
| Summerson: The Little House |
John Summerson |
Mar 4th 2020 |
| Biba Dow on Giorgio Morandi: Group and Threshold |
Biba Dow |
Mar 3rd 2020 |
| Seeing, and Disbelieving |
Niall Hobhouse |
Mar 2nd 2020 |
| In the Archive: OMA, Neutelings, Hejduk, Gowan |
Richard Hall and Emma Rutherford |
Mar 1st 2020 |
| Ronchamp: ‘Rough to the Touch’ |
Robin Evans |
Feb 28th 2020 |
| Leto Litho Leningrad |
William Firebrace |
Feb 20th 2020 |
| Buckminster Fuller: Geodesic Chandelier |
|
Feb 19th 2020 |
| The Iconography of Desolation |
Robert Smithson |
Feb 17th 2020 |
| In the Archive: Edouard Cabay |
Edouard Cabay |
Feb 16th 2020 |
| Next Year in Yemen |
Thomas Padmanabhan |
Feb 9th 2020 |
| Take One: Colin St John Wilson, MJ Long and Eric Parry on the British Library |
Editors |
Feb 7th 2020 |
| Tony Fretton: Drawn Closer |
Tony Fretton and Sarah Handelman |
Feb 6th 2020 |
| La Casa Della Falsita |
Peter Wilson |
Feb 5th 2020 |
| Behind the Lines 14 |
Philippa Lewis |
Feb 3rd 2020 |
| Basil Spence: Houses of Parliament |
|
Jan 29th 2020 |
| Battersea Redevelopment |
|
Jan 22nd 2020 |
| A Chevrolet Truck |
Stephen Bayley |
Jan 20th 2020 |
| Spaghetti with Meatballs |
Andreas von Foerster |
Jan 20th 2020 |
| Origins in Translation |
Mari Lending |
Jan 20th 2020 |
| Watkin on Milizia: Frontispiece to The Lives of the Celebrated Architects, Ancient and Modern |
David Watkin |
Jan 17th 2020 |
| Espelho Álvaro |
Mário Botta |
Jan 15th 2020 |
| One Small Sketch for Mankind |
Stephen Bayley |
Jan 13th 2020 |
| ETH Zurich: Casting the Cornice in Ticino |
Emma Letizia Jones and Erik Wegerhoff |
Jan 8th 2020 |
| Marie-José Van Hee: Drawn Closer |
Marie-José Van Hee |
Jan 2nd 2020 |
| Imaginal Cloud Spaces |
Sayan Skandarajah |
Dec 31st 2019 |
| Other Lives: Charles Eisen and Laugier’s Essai sur l’Architecture |
Rebecca Williamson |
Dec 26th 2019 |
| A Dose of Dosio |
Laura Harty |
Dec 24th 2019 |
| Surface-oriented |
Rosa Nussbaum |
Dec 18th 2019 |
| From a little below and to the right |
Niall Hobhouse |
Dec 17th 2019 |
| Six Architects on their Dream Desks |
Roz Barr, Biba Dow, Elizabeth Hatz, Emma Letizia Jones, Stephanie Macdonald and Helen Thomas |
Dec 17th 2019 |
| Aldo & Adolf |
Aldo Rossi |
Dec 13th 2019 |
| Leonhard Lapin: Objects on the Beach |
Andres Kurg |
Dec 13th 2019 |
| James Gowan Millbank: Sketches and Comments |
Matt Page |
Dec 9th 2019 |
| Adolphe Appia: ‘Luminous – Very Luminous’ |
Ross Anderson |
Nov 27th 2019 |
| Liquid Paper |
Mark Dorrian |
Nov 15th 2019 |
| Henry van de Velde and a monument to Nietzsche |
Richard Hollis |
Nov 13th 2019 |
| Ernest Gimson: Against Hotch-Potch |
Annette Carruthers, Mary Greensted and Barley Roscoe |
Nov 11th 2019 |
| The Difficulty of Designing Furniture |
Álvaro Siza |
Nov 7th 2019 |
| Giò Ponti: Plan chest designs, c.1955 |
|
Nov 7th 2019 |
| Francesco Milizia on Maderno, Posi and Jonson |
Francesco Milizia |
Nov 7th 2019 |
| Fontaine: Hide-and-Seek |
Iris Moon |
Nov 1st 2019 |
| What Lies Beneath |
Sarah Handelman |
Oct 31st 2019 |
| The Office Copier and Baptism by Colour: Working for Rossi in the 1990s |
Maurizio Diton |
Oct 25th 2019 |
| Tales from the crypt |
Stephen Bayley |
Oct 18th 2019 |
| Behind the Lines 13 |
Philippa Lewis |
Oct 10th 2019 |
| Geoffrey Goes to Basildon |
Gillian Darley |
Oct 10th 2019 |
| Gio Ponti: un disegno è un idea |
Niall Hobhouse |
Oct 7th 2019 |
| Cedric Price: The Evolving Image |
|
Oct 3rd 2019 |
| Behind the Lines 12 |
Philippa Lewis |
Sep 23rd 2019 |
| John Hejduk’s Axonometric Degree Zero |
Stan Allen |
Sep 23rd 2019 |
| Josef Frank: Happy Accidentism |
Mikael Bergquist |
Sep 21st 2019 |
| Harvey Wiley Corbett on Architectural Models of Cardboard |
|
Sep 19th 2019 |
| Living in Colour |
Alberto Ponis |
Sep 17th 2019 |
| Gio Ponti: ‘Come for Porchetta’ |
Niall Hobhouse |
Aug 23rd 2019 |
| Le Corbusier and the Poetry of Objects |
Danièle Pauly |
Aug 22nd 2019 |
| Dom Hans van der Laan: Drawing the Scottish Tartan |
Caroline Voet |
Aug 19th 2019 |
| Behind the Lines 11 |
Philippa Lewis |
Aug 12th 2019 |
| Alternative Histories: Hild und K Architekten on James Gowan |
|
Aug 10th 2019 |
| Learning from the tortoise |
William Firebrace |
Aug 9th 2019 |
| The Matter of Drawing |
Freddie Phillipson |
Aug 3rd 2019 |
| Alternative Histories: Knapkiewicz & Fickert on Charles Barry |
Axel Fickert and Kaschka Knapkiewicz |
Jul 31st 2019 |
| Alternative Histories: Professur Lehnerer ETH & Klara Bindl On SUperstudio |
|
Jul 31st 2019 |
| Alternative Histories: Raamwerk on Tony Fretton |
|
Jul 31st 2019 |
| Alternative Histories: Sam Jacob Studio on Archizoom |
|
Jul 31st 2019 |
| Alternative Histories: Veldwerk Architecten on Gabriel Pierre Martin Dumont |
|
Jul 31st 2019 |
| Alternative Histories: Nikolaus Bienefeld on James Gowan |
|
Jul 30th 2019 |
| Alternative Histories: NoAarchitecten on Álvaro Siza |
|
Jul 30th 2019 |
| Alternative Histories: Noreile Breen on Louis Kahn |
|
Jul 30th 2019 |
| Alternative Histories: Oda Pälmke Architektin on Archizoom |
|
Jul 30th 2019 |
| Alternative Histories: muf architecture/art on John Hejduk |
|
Jul 29th 2019 |
| Alternative Histories: Monadnock on James Stirling |
|
Jul 29th 2019 |
| Alternative Histories: Edelaar Mosayebi Inderbitzin Architekten on Alvar Aalto |
|
Jul 29th 2019 |
| Alternative Histories: Dierendonckblancke Architecten on Jean and HENRI Prouvé |
|
Jul 29th 2019 |
| Alternative Histories: AMUNT on Adolf Loos |
|
Jul 29th 2019 |
| Alternative Histories: Loeliger Strub Architektur on Emil Hoppe |
|
Jul 29th 2019 |
| Alternative Histories: Lilith Ronner van Hooijdonk on Edward Blore |
|
Jul 29th 2019 |
| Alternative Histories: ECTV on Tony Fretton |
|
Jul 29th 2019 |
| Alternative Histories: Johansen Skovsted Arkitekter on Peter Märkli |
|
Jul 29th 2019 |
| Alternative Histories: David Kohn Architects on John Hejduk |
|
Jul 29th 2019 |
| Alternative Histories: Eagles of Architecture on Adolfo Natalini |
|
Jul 29th 2019 |
| Alternative Histories: Dyvik Kahlen Architects on Tony Fretton |
|
Jul 29th 2019 |
| Alternative Histories: OMMX on Adolfo Natalini |
|
Jul 27th 2019 |
| Grandorge’s Pavilion |
David Grandorge |
Jul 21st 2019 |
| Alternative Histories: Happel Cornelisse Verhoeven Architecten on Ernest Born |
|
Jul 15th 2019 |
| Alternative Histories: ONO Architectuur on James Gowan |
|
Jul 15th 2019 |
| Alternative Histories: Murmuur Architecten on Álvaro Siza |
|
Jul 8th 2019 |
| Alternative Histories: EM2N on Alexander Brodsky |
|
Jul 8th 2019 |
| Alternative Histories: 2A+P/A on Aldo Rossi |
|
Jul 8th 2019 |
| Alternative Histories: Charles Holland Architects on John Lautner |
|
Jul 8th 2019 |
| Domestication and the Permutation of Interruption |
Dara Birnbaum |
Jul 2nd 2019 |
| Alternative Histories: Stephen Taylor Architects on Robbrecht and Daem |
|
Jul 1st 2019 |
| Lauretta Vinciarelli’s West Texas Types |
Caitlin Murray |
Jun 26th 2019 |
| Alternative Histories: Rural Urban Framework on Joseph Scholz |
|
Jun 24th 2019 |
| Halsey Ricardo |
Nicholas Olsberg |
Jun 22nd 2019 |
| Behind the Lines 10 |
Philippa Lewis |
Jun 19th 2019 |
| On Cornices, Part I |
Emma Letizia Jones |
Jun 17th 2019 |
| Alternative Histories: Multerer Architekten on Louis Kahn |
|
Jun 14th 2019 |
| Alternative Histories: fala atelier on Louis Kahn |
|
Jun 14th 2019 |
| Ugliness and Judgment |
Timothy Hyde |
Apr 19th 2019 |
| Alternative Histories: Havana architectuur on Michael Webb |
|
Apr 18th 2019 |
| Alternative Histories: BeL on Walter Pichler |
|
Apr 15th 2019 |
| Alternative Histories: Smith and Taylor Architects on Erik Gunnar Asplund |
|
Apr 10th 2019 |
| Informal Housing in Fars (Iran) and Kuwait, 1974 |
Eric Parry |
Apr 5th 2019 |
| Zaha and Aldo Self reflections |
|
Mar 23rd 2019 |
| Alternative Histories: Point Supreme Architects on Adolfo Natalini |
|
Mar 21st 2019 |
| Mystery as Ground |
Andrew Clancy |
Mar 21st 2019 |
| Alternative Histories: General Architecture on Emil Hoppe |
|
Mar 21st 2019 |
| Alternative Histories: Traumnovelle on Michael Gold |
|
Mar 21st 2019 |
| Alternative Histories: Philip Christou on Le Corbusier |
|
Mar 21st 2019 |
| Alternative Histories: Flores i Prats Architects on Alberto Ponis |
|
Mar 20th 2019 |
| Alternative Histories: Dow Jones Architects on Robbrecht en Daem |
|
Mar 15th 2019 |
| Alternative Histories: Bernd Schmutz on Jules Hardouin-Mansart |
|
Mar 14th 2019 |
| Drawing with Rafael Moneo, Madrid 1984 |
Stan Allen |
Mar 14th 2019 |
| Alternative Histories: Doorzon Interieurarchitecten on Stefano de Martino |
Stefanie Everaert and Caroline Lateur |
Mar 13th 2019 |
| Alternative Histories: NP2F Architectes on Mario Sironi |
|
Mar 13th 2019 |
| Alternative Histories: Lütjens Padmanabhan On Michael Graves |
|
Mar 9th 2019 |
| Alternative Histories: Johan Celsing Arkitektkontor on Erik Gunnar Asplund |
|
Mar 9th 2019 |
| Alternative Histories: Office Winhov on Burnham & Co. |
|
Mar 9th 2019 |
| Alternative Histories: Studio Thys Vermeulen on Sergison Bates |
|
Mar 9th 2019 |
| Zaha Hadid: Kurfürstendamm |
Michael Wolfson |
Mar 8th 2019 |
| Alternative Histories: Rloaluarnad on Mario Sironi |
|
Mar 7th 2019 |
| Gowan and Stirling |
Fred Scott |
Mar 1st 2019 |
| Alternative Histories: Descloux Engelschall on Louis-François Trouard |
|
Feb 28th 2019 |
| Alternative Histories: Roz Barr Architects on John Freeman |
|
Feb 28th 2019 |
| Alternative Histories: Schneider Türtscher on Álvaro Siza |
|
Feb 28th 2019 |
| Alternative Histories: East Architecture on Otto Wagner |
|
Feb 28th 2019 |
| Alternative Histories: Taka Architects on Peter Märkli |
|
Feb 28th 2019 |
| Boompjes II |
Stefano de Martino |
Feb 28th 2019 |
| Alternative Histories: Ryan W Kennihan Architects on John Nash |
|
Feb 24th 2019 |
| Alternative Histories: Stephen Bates on Henry Thomas Cadbury-Brown |
|
Feb 22nd 2019 |
| Alternative Histories: 31/44 Architects on William Butterfield |
|
Feb 22nd 2019 |
| Alternative Histories: Carmody Groarke on Haus-Rücker-Co |
|
Feb 22nd 2019 |
| Boompjes I |
Stefano de Martino |
Feb 22nd 2019 |
| Roosevelt Island |
Zoe Zenghelis |
Feb 17th 2019 |
| Alternative Histories: Conen Sigl Architekten on Giuseppe Chiantarelli |
|
Feb 16th 2019 |
| Alternative Histories: Christ & Gantenbein on Louis Kahn |
|
Feb 16th 2019 |
| Zaha Hadid: Azabu-Juban |
Michael Wolfson |
Feb 16th 2019 |
| Alternative Histories: Mikael Bergquist on Peter Märkli |
|
Feb 14th 2019 |
| Alternative Histories: De Smet Vermeulen architecten on Bruce Goff |
|
Feb 14th 2019 |
| Alternative Histories: Marie-José Van Hee on Hans Hollein |
|
Feb 14th 2019 |
| Alternative Histories: Hans van der Heijden on Josef Hoffmann |
|
Feb 14th 2019 |
| Alternative Histories: Clancy Moore Architects on Joseph Paxton |
|
Feb 14th 2019 |
| Alternative Histories: Caruso St John & Siw Thomas on Hans Poelzig |
|
Feb 13th 2019 |
| Eric Parry: Iran, 1974 |
Eric Parry |
Feb 10th 2019 |
| Alternative Histories: dePaor on Hans Poelzig |
|
Feb 9th 2019 |
| Schinkel |
Kurt Forster |
Feb 8th 2019 |
| Eric Parry: India, 1975 |
Eric Parry |
Feb 7th 2019 |
| Alternative Histories: Hayatsu Architects on Charles-Dominique-Joseph Eisen |
|
Feb 6th 2019 |
| Alternative Histories: Gustav Appell Arkitektkontor on Erik Gunnar Asplund |
|
Feb 6th 2019 |
| Alternative Histories: Witherford Watson Mann on Cedric Price |
|
Feb 4th 2019 |
| Alternative Histories: baukuh on John Hejduk |
|
Feb 4th 2019 |
| Alternative Histories: Bosshard, Tavor, van der Ploeg and Vihervaara on Bohdan Lachert |
|
Feb 3rd 2019 |
| Behind the Lines 9 |
Philippa Lewis |
Feb 2nd 2019 |
| Alternative Histories: Bovenbouw Architectuur on James Gowan |
|
Feb 1st 2019 |
| Alternative Histories: De Vylder Vinck Taillieu on Michael Graves |
|
Jan 31st 2019 |
| Alternative Histories: Hugh Strange Architects on Carlo Scarpa |
|
Jan 31st 2019 |
| Alternative Histories: Bardakhanova Champkins on Virgilio Marchi |
|
Jan 25th 2019 |
| Drawing, Movement and Medium: Mark Dorrian in conversation with Michael Webb, Episode 3 |
Mark Dorrian and Michael Webb |
Jan 21st 2019 |
| Drawing, Movement and Medium: Michael Webb in conversation with Mark Dorrian, Episode 2 |
Mark Dorrian and Michael Webb |
Jan 21st 2019 |
| Drawing, Movement and Medium: Michael Webb in conversation with Mark Dorrian, Episode 1 |
Mark Dorrian and Michael Webb |
Jan 19th 2019 |
| Alternative Histories: Max Otto Zitzelsberger on Louis Tullius Joachim Visconti |
|
Jan 17th 2019 |
| Alternative Histories: Robbrecht en Daem Architecten on Le Corbusier |
|
Jan 12th 2019 |
| Alternative Histories: Jonathan Sergison on Carlos Diniz |
|
Jan 12th 2019 |
| Alternative Histories: GAFPA on Superstudio |
|
Jan 12th 2019 |
| Alternative Histories: Wim Goes Architectuur On Cassius Goldsmith |
|
Jan 12th 2019 |
| Alternative Histories: Olivier Goethal On Paul Rudolph |
|
Jan 6th 2019 |
| Dance Dance Revolution |
Iris Moon |
Dec 30th 2018 |
| Superstudio: In Yesterday’s Tomorrow |
Eszter Steierhoffer |
Dec 23rd 2018 |
| Alternative Histories: Tony Fretton Architects on Erik Gunnar Asplund |
|
Dec 19th 2018 |
| OMA’S NEDERLANDS DANS THEATER |
Stefano de Martino |
Dec 15th 2018 |
| Behind the Lines 8 |
Philippa Lewis |
Dec 4th 2018 |
| Zaha Hadid |
Desley Luscombe |
Nov 27th 2018 |
| Lina Bo Bardi: Public Plaza and Museum of Art São Paolo |
Helen Thomas |
Nov 26th 2018 |
| Mussolini and the Tomb of Augustus in the Spring of 1935 |
John David Rhodes |
Nov 20th 2018 |
| TEd’A Arquitectes |
Jaume Mayol and Irene Pérez |
Nov 15th 2018 |
| Commonplace |
Nicholas Olsberg |
Nov 12th 2018 |
| Theodore Conrad and Harvey Wiley Corbett |
Jennifer Gray and Irene Sunwoo |
Nov 11th 2018 |
| Madelon Vriesendorp |
Niall Hobhouse and Madelon Vriesdendorp |
Nov 4th 2018 |
| Behind the Lines 7 |
Philippa Lewis |
Oct 31st 2018 |
| V&A Dundee by Model |
|
Oct 27th 2018 |
| Madelon Vriesendorp and Rem Koolhaas at Van Rooy Gallery, 1980 |
Editors |
Oct 23rd 2018 |
| Marco Frascari |
Federica Goffi |
Oct 20th 2018 |
| Bruce Goff |
Nicholas Olsberg |
Oct 20th 2018 |
| Michael Graves: Fargo-Moorehead Cultural Bridge |
Jordan Kauffman |
Oct 15th 2018 |
| The Continuous Monument, Shatwell |
|
Oct 9th 2018 |
| Buckminster Fuller’s Geodesic Sphere |
Helen Thomas |
Oct 9th 2018 |
| Hugh Ferriss |
Helen Thomas |
Oct 4th 2018 |
| Hugh Strange Architects: Drawing Matter Archive |
|
Oct 2nd 2018 |
| Ephraim Joris |
Ephraim Joris |
Sep 28th 2018 |
| Siza and the limits of representation |
Niall Hobhouse |
Sep 25th 2018 |
| Sans Humour? |
Niall Hobhouse |
Sep 14th 2018 |
| Artists at Work |
Deanna Petherbridge |
Sep 14th 2018 |
| Le Corbusier: Sketch for the Governor’s Palace, Chandigarh, India |
Niall Hobhouse |
Sep 7th 2018 |
| Aux Citoyens Membres de La Commune attachés à la commissions des services publics |
Matt Page |
Sep 7th 2018 |
| Conjunction and Incongruity |
Polly Gould |
Sep 1st 2018 |
| Grunt Group: Unrolling the Netherfield Scroll |
|
Aug 28th 2018 |
| Netherfield Scroll Two |
Michael Gold |
Aug 28th 2018 |
| Netherfield Scroll One |
Chris Cross, Jeremy Dixon and Edward Jones |
Aug 28th 2018 |
| Drawing Out Gehry |
Riet Eeckhout |
Aug 20th 2018 |
| Behind the Lines 6 |
Philippa Lewis |
Aug 13th 2018 |
| Richard J. Neutra |
Nicholas Olsberg |
Aug 10th 2018 |
| Yacht Club Path |
Alberto Ponis |
Aug 2nd 2018 |
| The facade is the window to the soul of architecture: Venice Architecture Biennale, 2018 |
Adam Caruso and Helen Thomas |
Aug 1st 2018 |
| Onto an Epicycle of Cones |
Mark Ericson |
Jul 30th 2018 |
| Foster + Partners: CLEVELAND CLINIC HEALTH EDUCATION CAMPUS |
Norman Foster |
Jul 26th 2018 |
| arq : plan, Stan Allen, Helen Mallinson, Niall Hobhouse |
|
Jul 20th 2018 |
| A Fragment of Wright’s Great City |
Nicholas Olsberg |
Jul 16th 2018 |
| Architectural Research Quarterly: Plan |
|
Jul 13th 2018 |
| Aldo Rossi Cabina Construction |
Tom Graham |
Jul 10th 2018 |
| Three Timber Constructions |
David Grandorge |
Jul 10th 2018 |
| Toyo Ito & Associates, Architects |
Toyo Ito |
Jul 6th 2018 |
| Freestanding: Sigurd Lewerentz |
Helen Thomas |
Jun 20th 2018 |
| Schinkel: ‘Precisely Loose’ |
Lok-Kan Chau |
Jun 19th 2018 |
| Architectural Ethnography: Japan Pavilion |
Helen Thomas |
Jun 12th 2018 |
| Talking to Drawings |
Sam Jacob |
Jun 8th 2018 |
| without irony 1 |
Niall Hobhouse |
May 28th 2018 |
| without irony 3 |
Niall Hobhouse |
May 24th 2018 |
| without irony 2 |
Niall Hobhouse |
May 23rd 2018 |
| Elizabeth Hatz: Line, Light, Locus |
Elizabeth Hatz |
May 23rd 2018 |
| Alexander Brodsky: The Shed |
|
May 18th 2018 |
| Alberto Campo Baeza: Sketchbook No. 37 |
Neil Bingham |
May 12th 2018 |
| Behind the Lines 5 |
Philippa Lewis |
May 10th 2018 |
| Empathy |
Andrew Clancy |
May 8th 2018 |
| letters from nicholas hawksmoor and standford white |
|
Apr 30th 2018 |
| Frank Lloyd Wright, Taliesin and Fallingwater |
Adam Sutherland |
Apr 29th 2018 |
| Jørn Utzon’s Sydney Opera House |
Mogens Prip-Buus |
Apr 26th 2018 |
| Remembered Space |
Deanna Petherbridge |
Apr 22nd 2018 |
| Elena Manferdini |
Elena Manferdini |
Apr 17th 2018 |
| David Kohn Architects |
David Kohn |
Apr 14th 2018 |
| Adolfo Natalini: The last supper |
|
Apr 5th 2018 |
| Nicholas Grimshaw |
Nicholas Grimshaw |
Apr 5th 2018 |
| Dominique Perrault Architecte |
Dominique Perrault |
Apr 5th 2018 |
| Clancy Moore Architects: Conversation Pieces |
Colm Moore |
Apr 1st 2018 |
| Eurolandschaft Dérive |
Peter Wilson |
Apr 1st 2018 |
| Behind the Lines 4 |
Philippa Lewis |
Mar 28th 2018 |
| WilkinsonEyre |
Chris Wilkinson |
Mar 28th 2018 |
| Niall McLaughlin |
Níall McLaughlin |
Mar 17th 2018 |
| A. W. N. Pugin |
Peter Howell |
Mar 13th 2018 |
| R. Norman Shaw |
Andrew Saint |
Mar 11th 2018 |
| G. E. Street: Drawing on Moulding |
|
Mar 8th 2018 |
| Take Courage |
Freddie Phillipson |
Mar 8th 2018 |
| AL_A: V&A Exhibition Road Quarter |
Amanda Levete |
Mar 5th 2018 |
| Louis Le Vau: Château de Meudon |
Basile Baudez, Alexandre Cojannot and Alexandre Gady |
Mar 1st 2018 |
| Tony Fretton: Lisson Gallery 1 |
Tony Fretton |
Feb 27th 2018 |
| Herzog & de Meuron |
Herzog & de Meuron |
Feb 23rd 2018 |
| Notes on the Sketchbook |
Mark Dorrian |
Feb 19th 2018 |
| Lütjens Padmanabhan Architekten: Swiss Ambassador’s Residence |
Oliver Lütjens and Thomas Padmanabhan |
Feb 14th 2018 |
| Carlos Diniz: United States Embassy, Moscow |
|
Feb 14th 2018 |
| Drawings’ Conclusions |
Stan Allen |
Feb 8th 2018 |
| Behind the Lines 3 |
Philippa Lewis |
Feb 7th 2018 |
| Better with Sun from West: US Embassy Moscow, The Commons |
Tim Abrahams |
Feb 5th 2018 |
| Shatwell DrawingScape |
Ana Araujo |
Jan 29th 2018 |
| Dom Hans Van Der Laan Saint Benedictusberg Abbey at Vaals |
|
Jan 25th 2018 |
| A Blueprint is… Blue |
Neil Bingham |
Jan 24th 2018 |
| Florian Beigel & Kisa Kawakami |
Florian Beigel and Philip Christou |
Jan 19th 2018 |
| Studio Mumbai: Saatrasta-Mahindra Tape Drawing |
Studio Mumbai Bijoy Jain |
Jan 14th 2018 |
| Yona Friedman: Space-chain Structures |
Manuel Orazi |
Jan 11th 2018 |
| Gabriel Pierre Martin Dumont |
Editors |
Jan 7th 2018 |
| The Politics of the Image |
Maria S. Giudici, Joseph Mercer, Florian Scheucher, Keranie Theodosiou, Livia Wang, Sophie Williams and Feifei Zhou |
Jan 5th 2018 |
| Alternative Histories: Atelier Tomas Dirrix & Boris de Beijer on Otto Schönthal |
|
Jan 1st 2018 |
| Parataxis |
Matthew Wells |
Dec 28th 2017 |
| Sir William Chambers: Somerset House |
|
Dec 23rd 2017 |
| Behind the Lines 2 |
Philippa Lewis |
Dec 19th 2017 |
| Anthony Salvin |
Matthew Wells |
Dec 18th 2017 |
| Gilles-Marie Oppenord |
David Pullins |
Dec 15th 2017 |
| William Butterfield |
Nicholas Olsberg |
Dec 6th 2017 |
| The Sacred Games of Art |
Patrick Lynch |
Dec 1st 2017 |
| Herbert Matter |
Nicholas Olsberg |
Nov 27th 2017 |
| Assemble: Collective Authorship |
Giles Smith and Adam Willis |
Nov 18th 2017 |
| Dogma: The Room of One’s Own |
Pier Vittorio Aureli and Martino Tattara |
Nov 13th 2017 |
| Michael Gold: Crossed Swords |
|
Nov 10th 2017 |
| Alvar Aalto’s city |
Markus Lähteenmäki |
Nov 1st 2017 |
| The Clandeboye Drawings |
Peter Wilson |
Oct 27th 2017 |
| Archives, or Ardor |
Iris Moon |
Oct 26th 2017 |
| Blind Spots |
Sam Jacob |
Oct 20th 2017 |
| Lantau Commune |
Lok-Kan Chau |
Oct 19th 2017 |
| Florian Beigel Architects: Stage House |
Florian Beigel and Philip Christou |
Oct 12th 2017 |
| Peter Smithson: Obelisk |
|
Oct 12th 2017 |
| Cedric Price: FIR Project |
|
Oct 12th 2017 |
| Stephen Taylor: Urban Rural |
|
Oct 12th 2017 |
| James Wines: Ghost Parking Lot |
Christina Gray |
Oct 5th 2017 |
| All Change on Change Alley |
Celina Fox |
Oct 5th 2017 |
| Aldo Rossi |
Jesse Reiser |
Sep 30th 2017 |
| Hugh Strange: the Archive |
|
Sep 22nd 2017 |
| Álvaro Siza: Sense Making |
|
Sep 22nd 2017 |
| Behind the Lines 1 |
Philippa Lewis |
Sep 22nd 2017 |
| Drawing from a Deep Well |
Patrick Lynch |
Sep 22nd 2017 |
| Jesse Reiser & Nanako Umemoto (RUR) |
Jesse Reiser |
Sep 13th 2017 |
| Architecten De Vylder Vinck Taillieu |
Jan De Vylder |
Sep 7th 2017 |
| The Drawing as Actor |
|
Sep 5th 2017 |
| USSR in Construction No. 9 1931 |
Marie Collier |
Sep 1st 2017 |
| Drawings in Conversation |
Matthew Wells |
Sep 1st 2017 |
| Child’s Play: Adolfo Natalini’s ‘Disegni Per Bambini’ |
Sophia Banou |
Aug 31st 2017 |
| Notes on the 2017 Summer School |
Nana Biamah-Ofosu and Bushra Mohamed |
Aug 19th 2017 |
| Concrete Beach |
Stephanie Macdonald |
Aug 13th 2017 |
| E. S. Prior’s Architectural Modelling |
David Valinsky |
Aug 2nd 2017 |
| Salvador Dalí |
|
Jul 28th 2017 |
| Design Earth |
Rania Ghosn and El Hadi Jazairy |
Jul 27th 2017 |
| Dissecting |
Andrew Clancy |
Jul 25th 2017 |
| Enric Miralles: La Gran Casa |
Javier Contreras |
Jul 22nd 2017 |
| Charles Percier |
Iris Moon |
Jul 17th 2017 |
| A souvenir and survey |
Basile Baudez |
Jun 22nd 2017 |
| San Rocco |
Helen Thomas |
Jun 20th 2017 |
| Guy Debord |
Anthony Vidler |
Jun 7th 2017 |
| Karl Friedrich Schinkel |
Basile Baudez |
Jun 7th 2017 |
| Celia Scott: L’Attente |
Katharine Eustace |
May 31st 2017 |
| A Space / Two Spaces |
Anthony Vidler |
May 30th 2017 |
| Zünd-Up: Erotische Architektur |
Erik Wegerhoff |
May 27th 2017 |
| Ferdinando Galli Bibiena |
John Cooper |
May 19th 2017 |
| Two ideas of the House |
Fred Scott |
May 9th 2017 |
| A.L.T. Vaudoyer |
Basile Baudez |
May 4th 2017 |
| Permanence |
Elizabeth Hatz |
Apr 18th 2017 |
| Conen Sigl Architekten: Drawing in retrospect |
Maria Conen |
Apr 9th 2017 |
| Roz Barr Architects: The Maquette |
Roz Barr |
Apr 7th 2017 |
| Mario Sironi |
David Vanderburgh |
Mar 27th 2017 |
| The Town: The Dream of Unity in the 1960s |
Jean-Paul Jungmann |
Mar 21st 2017 |
| A House for A Sculptor / A House for my Mother |
Celia Scott |
Mar 17th 2017 |
| Eisenman: House II |
Stefano Corbo |
Mar 17th 2017 |
| Galli da Bibiena |
Fabrizio Ballabio |
Mar 10th 2017 |
| Narrative Architecture |
Nigel Coates |
Mar 10th 2017 |
| Relational Design |
Siv Helene Stangeland |
Mar 10th 2017 |
| On Architectural Drawing: Lina Bo Bardi and Beyond |
Marcelo Ferraz |
Mar 9th 2017 |
| Jørn Utzon |
Mogens Prip-Buus |
Mar 3rd 2017 |
| James Gowan: Inside the sketchbook |
Ellis Woodman |
Mar 2nd 2017 |
| Carlos Diniz: Weyerhaeuser Project |
Tim Abrahams |
Mar 1st 2017 |
| Loggia Mercato Nuovo, Florence |
Lauren Jacobi |
Feb 27th 2017 |
| George Wilkinson: Building On The Stones Of Ireland |
William Taylor |
Feb 23rd 2017 |
| Ange-Jacques Gabriel |
Niall Hobhouse |
Feb 22nd 2017 |
| Paolo Soleri |
Tim Abrahams |
Feb 22nd 2017 |
| Viollet-le-Duc: Mont Blanc |
Martin Bressani |
Feb 17th 2017 |
| Perry Kulper |
Sophia Banou |
Feb 14th 2017 |
| Lütjens Padmanabhan Architekten: Sketch modelling |
Oliver Lütjens and Thomas Padmanabhan |
Feb 9th 2017 |
| Architecture and Geology |
William Mann |
Feb 7th 2017 |
| Michael Webb |
Mark Dorrian |
Feb 1st 2017 |
| Witherford Watson Mann: Waiting Women |
William Mann |
Jan 31st 2017 |
| James Malton |
John Macarthur |
Jan 30th 2017 |
| Superstudio: Cinematography |
Markus Lähteenmäki |
Jan 30th 2017 |
| Heathrow Airport Project |
Catrina Beevor |
Jan 25th 2017 |
| Pier Leone Ghezzi |
Rachel Hapoienu |
Jan 20th 2017 |
| L’art tue |
Jean-Paul Jungmann |
Jan 19th 2017 |
| Gordon Matta-Clark |
Nicholas Olsberg |
Jan 19th 2017 |
| Caruso St John Architects: Cultural and Tourist Centre |
Adam Caruso |
Jan 18th 2017 |
| Projected Sections |
Laurent Stalder |
Jan 15th 2017 |
| Jessie Brennan |
Olivia Horsfall Turner |
Jan 4th 2017 |
| Aitchison / Prendergast |
Helen Thomas |
Dec 30th 2016 |
| Black Airground |
Jeffrey Shaw |
Dec 23rd 2016 |
| Philip Webb |
Adrian Forty |
Dec 23rd 2016 |
| Gowan: A rather beautiful coherence |
Charles Rice |
Dec 12th 2016 |
| Brunswick Centre |
Peter Myers |
Dec 5th 2016 |
| The Destruction of the City of Homs |
Deanna Petherbridge |
Nov 28th 2016 |
| Marie–José Van Hee: Black Drawings |
|
Nov 23rd 2016 |
| A Public Convenience |
Peter Wilson |
Nov 18th 2016 |
| Charles Percier |
Niall Hobhouse |
Nov 18th 2016 |
| Charles Barry: Travel Sketching |
Rachel Blissett |
Nov 11th 2016 |
| The Black Drawings of Marie-José Van Hee |
Helen Thomas |
Nov 9th 2016 |
| Louis Bricard |
Nicholas Olsberg |
Nov 8th 2016 |
| On Collecting |
Niall Hobhouse |
Nov 3rd 2016 |
| Paul Robbrecht |
Rosemary Willink |
Nov 2nd 2016 |
| Stone Adversaries – Ruskin’s Rocks, Hejduk’s Diamonds |
Anthony Auerbach |
Oct 24th 2016 |
| Mies: The Double or Panoramic Structure of the Perspective |
Desley Luscombe |
Oct 24th 2016 |
| Alexander Brodsky |
Marie Coulon |
Oct 15th 2016 |
| Beevor Mull Architects: Pikpa Refugee Camp |
Robert Mull |
Oct 13th 2016 |
| A Civic Utopia Exhibition |
|
Oct 8th 2016 |
| Some Thoughts on Sheds |
Nicholas Olsberg |
Oct 7th 2016 |
| Fontaine: Model for a Music Room |
Ana Araujo |
Oct 4th 2016 |
| Drawing Walmer Yard |
Peter Salter |
Oct 4th 2016 |
| Malagueira and Évora, Portugal |
Cathy Hawley and Hugh Strange |
Sep 19th 2016 |
| High Ground |
Colette Sheddick and Pierre d'Avoine |
Sep 19th 2016 |
| Beyond Object-ness, a Good House |
Florian Beigel and Philip Christou |
Sep 19th 2016 |
| Casswell Bank Architects: The Shed Project |
Alex Bank and Sam Casswell |
Sep 18th 2016 |
| Barthélemy Enfantin |
Helen Thomas |
Sep 12th 2016 |
| Richard J. Neutra: Visitor Center at Gettysburg National Park |
Nicholas Olsberg |
Aug 22nd 2016 |
| Notes on the 2016 Summer School |
Helen Mallinson |
Aug 21st 2016 |
| Cedric Price: Bathat |
Helen Mallinson |
Aug 8th 2016 |
| Michael Graves |
Helen Thomas |
Aug 7th 2016 |
| The Stones of John Ruskin |
Karen Eve Johnson, Nicholas Olsberg and John Ruskin |
Aug 1st 2016 |
| Alexander Pope: ‘et sibi’ |
Niall Hobhouse |
Aug 1st 2016 |
| Le Corbusier: Unité d’habitation |
|
Aug 1st 2016 |
| From the Desk of John Summerson |
|
Aug 1st 2016 |
| Ray Bradbury: Letterhead |
|
Aug 1st 2016 |
| Fontaine: Market Stalls |
Basile Baudez |
Aug 1st 2016 |
| Jean-Baptiste Lassus |
Martin Bressani |
Aug 1st 2016 |
| The Marriage of Reason and Squalor |
Pier Vittorio Aureli |
Aug 1st 2016 |
| Mies van der Rohe: Neue Stadt |
Markus Lähteenmäki |
Jul 22nd 2016 |
| Friedensreich Hundertwasser |
Helen Thomas |
Jul 15th 2016 |
| Charles de Wailly |
|
Jun 10th 2016 |
| François-Joseph Bélanger |
Olivia Edmondson |
Jun 4th 2016 |
| Future Scenarios, Part II |
Niall Hobhouse and Nicholas Olsberg |
May 31st 2016 |
| Robert Bray: Six Designs for a Playboy Penthouse Pad |
|
May 12th 2016 |
| The Imperial Palace of God |
George Elliot |
May 9th 2016 |
| Ducros: Arch of Titus |
|
May 1st 2016 |
| Seven Farmyards |
|
Apr 22nd 2016 |
| Five Obelisks |
|
Apr 16th 2016 |
| The Birth of the Column |
Álvaro Siza |
Apr 7th 2016 |
| Views of A Civic Utopia |
|
Apr 6th 2016 |
| Robert Mylne |
Robert Adam |
Apr 1st 2016 |
| Louis Kahn: Kansas City Office Building |
|
Mar 18th 2016 |
| This Was Tomorrow: Reinventing Architecture 1953–1978 |
Markus Lähteenmäki, Manuel Montenegro and Nicholas Olsberg |
Mar 13th 2016 |
| Aldo Rossi: Architecture and the City (1982) |
Peter Eisenman |
Mar 11th 2016 |
| Etudes des fragments d’architecture |
Jean-Augustin Renard |
Mar 6th 2016 |
| Hans Hollein: Infinite Space |
|
Mar 4th 2016 |
| Hans Hollein: Everything is Architecture |
Hans Hollein |
Mar 4th 2016 |
| To Read A Drawing (1983) |
Peter Eisenman |
Feb 12th 2016 |
| The Continuous Monument |
Adolfo Natalini |
Feb 5th 2016 |
| On Drawing |
Adolfo Natalini |
Feb 4th 2016 |
| Rem Koolhaas: EuroDisney |
|
Jan 29th 2016 |
| Robert Venturi: The difficult whole |
|
Jan 22nd 2016 |
| Becoming One with the Landscape (1969) |
Carlos Diniz |
Jan 15th 2016 |
| Henri Labrouste |
Barry Bergdoll |
Dec 15th 2015 |
| Michael Webb: Sin Centre |
Michael Webb |
Dec 5th 2015 |
| View the action, neck or talk (1965) |
Michael Webb |
Dec 4th 2015 |
| A Lung for the City (1984) |
Cedric Price |
Nov 27th 2015 |
| Ville Spatiale |
Yona Friedman |
Nov 20th 2015 |
| Peter Märkli: Thinking Drawings |
Florian Beigel and Philip Christou |
Nov 15th 2015 |
| Believe in books (1998) |
John Hejduk |
Nov 13th 2015 |
| Three Projects (1969) |
John Hejduk |
Nov 12th 2015 |
| Archizoom, Andrea Branzi and the No-Stop City |
Andrea Branzi |
Nov 6th 2015 |
| The Lost Art of Drawing |
Michael Graves |
Nov 4th 2015 |
| Dismantled Sketchbook |
James Gowan |
Nov 2nd 2015 |
| James Gowan: The Expandable House |
Markus Lähteenmäki |
Nov 1st 2015 |
| The Open Hand (1954) |
Le Corbusier |
Nov 1st 2015 |
| Zünd-Up: ‘psycho-dynamic’ street and park system |
|
Oct 23rd 2015 |
| A Brutal Matter (1962) |
Walter Pichler |
Oct 16th 2015 |
| Walter Pichler: 20 Sketches from the Archives |
|
Oct 13th 2015 |
| Haus-Rücker-Co. |
|
Oct 9th 2015 |
| Buckminster Fuller: Six Patents |
|
Oct 2nd 2015 |
| Jean-Baptiste Lassus’s Sainte-Chapelle |
|
Oct 1st 2015 |
| Buckminster Fuller |
|
Oct 1st 2015 |
| Isolation or participation? |
Ugo La Pietra |
Sep 11th 2015 |
| Preamble to a New World (1963) |
Constant |
Sep 4th 2015 |
| New Babylon (1963) |
Constant |
Sep 3rd 2015 |
| John Lautner: house and studio for Edgar Ewing |
Nicholas Olsberg |
Aug 28th 2015 |
| A life of their own (1985) |
Paul Rudolph |
Aug 28th 2015 |
| History & Origins |
Aldo Rossi |
Aug 21st 2015 |
| Erik Gunnar Asplund: the father |
Nicholas Olsberg |
Aug 14th 2015 |
| The hatred of rendering (1930) |
Le Corbusier |
Aug 1st 2015 |
| Sketch from Vézelay from letter to Mérimée (1843) |
Eugène Viollet-le-Duc |
Jul 31st 2015 |
| Five Boxes |
Michael Craig-Martin |
Jun 10th 2015 |
| Wagnerschule |
|
Jun 1st 2015 |
| François Soufflot le Romain: Ruins |
Editors |
Feb 9th 2015 |
| Potomania (1982) |
Jacques Couëlle |
Jan 8th 2015 |
| The changing metropolis 1940s–1980s |
Niall Hobhouse and Nicholas Olsberg |
Nov 29th 2013 |
| The changing metropolis 1815–1900 |
Niall Hobhouse and Nicholas Olsberg |
Nov 27th 2013 |
| The changing metropolis 1900–1930s |
Niall Hobhouse and Nicholas Olsberg |
Nov 26th 2013 |
| Future Scenarios, Part III |
Niall Hobhouse and Nicholas Olsberg |
Jun 3rd 2013 |
| Future Scenarios, Part I |
Niall Hobhouse and Nicholas Olsberg |
May 30th 2013 |
| Displaced persons |
Niall Hobhouse and Nicholas Olsberg |
Oct 3rd 2012 |
| Architectural anxiety |
Niall Hobhouse and Nicholas Olsberg |
Sep 28th 2011 |
| Simplification |
Niall Hobhouse and Nicholas Olsberg |
May 6th 2011 |
| Landscape situations |
Niall Hobhouse and Nicholas Olsberg |
Jan 21st 2011 |
